At times ruefully hilarious and absurd, this slight, philosophical book will humor anyone who’s ever questioned his or her...
In German Book Prize winner Ruge’s (In Times of Fading Light, 2013) new novel, a writer abandons his life in Berlin and embarks on a journey toward self-realization.
In the wake of his mother’s death and the fall of the Berlin Wall, Ruge’s unnamed narrator finds himself deeply discontent with the mind-numbing monotony of his life. He’s 40, exists generally in solitude, and can’t seem to cut ties with his ex-girlfriend Karolin, whom he dated for 10 years. After being cajoled into watching Karolin’s daughter (whose father, ostensibly, is not him) on New Year’s Eve, our narrator decides it’s time to leave Berlin and finally start that novel he’s been meaning to write. The next morning, “like a man venturing into the street for the first time after a long sickness,” he departs to Barcelona and, from there, takes an overnight bus to the titular Cabo de Gata, a village on the southeast coast of Andalusia (a word which he, heretofore, always thought fondly of as “A kind of fantastic adjective meaning wonderful or enchanting”). Suffice it to say, it’s no paradise. To his dismay, he’s dropped off in a ghost town complete with shoddy architecture, a few vacant bars, and a promenade overrun by gangs of cats and dogs. But after a few peculiar encounters on the beach—involving a deceased hermit crab and a flock of synchronized birds hunting for food—he decides to stay for more than just one night and eventually acquiesces to the simpler lifestyle of Cabo de Gata. And the fact that he’s largely ignored by the locals only makes him more emboldened by his anonymity. The tone of the novel shifts and gradually becomes darker when our narrator meets an elusive ginger tabby cat that takes to him and also eerily reminds him of his mother. With colloquial prose and sardonic wit, Ruge eruditely captures his narrator’s precarious reality and creates a world that’s a pleasure to observe and meander through.
At times ruefully hilarious and absurd, this slight, philosophical book will humor anyone who’s ever questioned his or her place in this unforgiving universe.Pub Date: Nov. 1, 2016
ISBN: 9781555977573
Page Count: 120
Publisher: Graywolf
Review Posted Online: Aug. 8, 2016
Kirkus Reviews Issue: Sept. 1, 2016
BOOK REVIEW
Tinny perhaps, but still a minutely rendered and impressively steady feminist vision of apocalypse.
The time is the not-so-distant future, when the US's spiraling social freedoms have finally called down a reaction, an Iranian-style repressive "monotheocracy" calling itself the Republic of Gilead—a Bible-thumping, racist, capital-punishing, and misogynistic rule that would do away with pleasure altogether were it not for one thing: that the Gileadan women, pure and true (as opposed to all the nonbelieving women, those who've ever been adulterous or married more than once), are found rarely fertile.
Thus are drafted a whole class of "handmaids," whose function is to bear the children of the elite, to be fecund or else (else being certain death, sent out to be toxic-waste removers on outlying islands). The narrative frame for Atwood's dystopian vision is the hopeless private testimony of one of these surrogate mothers, Offred ("of" plus the name of her male protector). Lying cradled by the body of the barren wife, being meanwhile serviced by the husband, Offred's "ceremony" must be successful—if she does not want to join the ranks of the other disappeared (which include her mother, her husband—dead—and small daughter, all taken away during the years of revolt). One Of her only human conduits is a gradually developing affair with her master's chauffeur—something that's balanced more than offset, though, by the master's hypocritically un-Puritan use of her as a kind of B-girl at private parties held by the ruling men in a spirit of nostalgia and lust. This latter relationship, edging into real need (the master's), is very effectively done; it highlights the handmaid's (read Everywoman's) eternal exploitation, profane or sacred ("We are two-legged wombs, that's all: sacred vessels, ambulatory chalices"). Atwood, to her credit, creates a chillingly specific, imaginable night-mare. The book is short on characterization—this is Atwood, never a warm writer, at her steeliest—and long on cynicism—it's got none of the human credibility of a work such as Walker Percy's Love In The Ruins. But the scariness is visceral, a world that's like a dangerous and even fatal grid, an electrified fence.
Tinny perhaps, but still a minutely rendered and impressively steady feminist vision of apocalypse.Pub Date: Feb. 17, 1985
ISBN: 038549081X
Page Count: -
Publisher: Houghton Mifflin
Review Posted Online: Sept. 16, 2011
Kirkus Reviews Issue: Jan. 15, 1985
SEEN & HEARD
BOOK TO SCREEN
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
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