Vibrant characters and prose energize this literary adventure.
A 12-year-old boy tries to save a world made of words in this middle-grade fantasy novel.
British-Iraqi Ankido Gulzar is saddened by the news his archaeologist father has disappeared in Iraq. Unfortunately, Habubti, Ankido’s beloved grandmother, is leaving him behind as she searches for his father. An acclaimed fantasy novelist, Habubti asks her grandson to care for her latest, unfinished book, cryptically specifying to keep it out of the hands of Aunt Geraldine. In Habubti’s absence, Geraldine makes a grab for the Gulzar estate by sending Ankido, the heir, to a boarding school. On the way, the boy loses consciousness, awakens, and soon finds himself in a “crossroads between worlds.” He meets Zinaida, a wanderer, who tells Ankido that “the Land of Mesopo”—the title of Habubti’s book—is dying. Mesopo is made of words and a thief, Humbaba, is gradually stealing all of them. Evidently, the Book (Habubti’s) has chosen Ankido as the new Tale Smith; indeed, the boy lately has been dreaming of entirely new words. With an ability to create worlds with invented words, Ankido may be able to rescue Mesopo, as its many books are “the pillars of mankind’s literacy.” Ankido is a well-rounded protagonist, wielding words as a weapon but also struggling to overcome sporadic fits of anger. Dynamic characters fill the pages, from creepy, fishlike River People (Humbaba’s bondsmen) to Geraldine’s winsome stepdaughters, Leila and Salma, who find their own way to Mesopo to help their cousin Ankido. Dietrich (The Great Rainbow Hug, 2011) masterfully visualizes the fantastic world: Recurring blots or pools of black ink signify Mesopo’s slowly diminishing word count. Kallick’s (Sophie’s Quest, 2018) complementary artwork is colorful and detailed, though, disappointingly, there are only two of her dual-page illustrations. The engaging tale is a quick read for young readers and adults. And while it seems the author is priming it for a series, this book can act as a stand-alone.
Vibrant characters and prose energize this literary adventure.Pub Date: Nov. 19, 2018
ISBN: 978-1-73151-821-7
Page Count: 333
Publisher: Sable Tyger Books
Review Posted Online: April 29, 2019
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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