Ibbotson’s multi-stranded story begins in England at the start of World War II and ends six years later. Twelve-year-old Tally, a thoughtful and outspoken child, deeply loved by her widowed father and two maiden aunts, receives a scholarship to Delderton, a progressive boarding school. While at the cinema, Tally sees a newsreel about the small country of Bergania, whose King refuses to bend to Hitler’s demands, so when Delderton is invited to Bergania for a dance festival Tally insists they attend. In Bergania the children witness the King’s assassination. Horrified, Tally and her classmates help Karil, Bergania’s young prince, escape from the now Nazi-occupied country to England. The third-person narration shifts among Tally, Karil and other key characters as they cope with the hardships of war. The book, based on the author’s own childhood experiences, is a romantic tale of friendship, loyalty and heroism, and her fans will not be disappointed. (Fiction. 12 & up)
Pub Date: Sept. 1, 2008
ISBN: 978-0-525-42064-4
Page Count: 384
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2008
A bone-chilling tale not to be ignored by the universe.
If Anne Frank had been a boy, this is the story her male counterpart might have told. At least, the very beginning of this historical novel reads as such.
It is 1939, and Yanek Gruener is a 10-year old Jew in Kraków when the Nazis invade Poland. His family is forced to live with multiple other families in a tiny apartment as his beloved neighborhood of Podgórze changes from haven to ghetto in a matter of weeks. Readers will be quickly drawn into this first-person account of dwindling freedoms, daily humiliations and heart-wrenching separations from loved ones. Yet as the story darkens, it begs the age-old question of when and how to introduce children to the extremes of human brutality. Based on the true story of the life of Jack Gruener, who remarkably survived not just one, but 10 different concentration camps, this is an extraordinary, memorable and hopeful saga told in unflinching prose. While Gratz’s words and early images are geared for young people, and are less gory than some accounts, Yanek’s later experiences bear a closer resemblance to Elie Wiesel’s Night than more middle-grade offerings, such as Lois Lowry’s Number the Stars. It may well support classroom work with adult review first.
A bone-chilling tale not to be ignored by the universe. (Historical fiction. 12 & up)Pub Date: March 1, 2013
ISBN: 978-0-545-45901-3
Page Count: 272
Publisher: Scholastic
Review Posted Online: Dec. 25, 2012
Kirkus Reviews Issue: Jan. 15, 2013
Themes of freedom and responsibility twine between the lines of this short but heavy novel from the author of Because of Winn-Dixie (2000). Three months after his mother's death, Rob and his father are living in a small-town Florida motel, each nursing sharp, private pain. On the same day Rob has two astonishing encounters: first, he stumbles upon a caged tiger in the woods behind the motel; then he meets Sistine, a new classmate responding to her parents' breakup with ready fists and a big chip on her shoulder. About to burst with his secret, Rob confides in Sistine, who instantly declares that the tiger must be freed. As Rob quickly develops a yen for Sistine's company that gives her plenty of emotional leverage, and the keys to the cage almost literally drop into his hands, credible plotting plainly takes a back seat to character delineation here. And both struggle for visibility beneath a wagonload of symbol and metaphor: the real tiger (and the inevitable recitation of Blake's poem); the cage; Rob's dream of Sistine riding away on the beast's back; a mysterious skin condition on Rob's legs that develops after his mother's death; a series of wooden figurines that he whittles; a larger-than-life African-American housekeeper at the motel who dispenses wisdom with nearly every utterance; and the climax itself, which is signaled from the start. It's all so freighted with layers of significance that, like Lois Lowry's Gathering Blue (2000), Anne Mazer's Oxboy (1995), or, further back, Julia Cunningham's Dorp Dead (1965), it becomes more an exercise in analysis than a living, breathing story. Still, the tiger, "burning bright" with magnificent, feral presence, does make an arresting central image. (Fiction. 10-12)
Pub Date: March 1, 2001
ISBN: 0-7636-0911-0
Page Count: 128
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2001
BOOK TO SCREEN
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