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COUNTING ON A COUNTESS

Love excuses bad ethics in this implausible tale of an intrepid baron’s daughter who lies her way to a happy ending. For...

A smuggling ring in Cornwall and a war hero with entrepreneurial dreams add some novelty to this Regency romance.

Leigh (From Duke Till Dawn, 2017, etc.) returns to the trope of a lying heroine with a heart of gold that she employed in the first novel in her London Underground series. Tamsyn Pearce, the impoverished orphan daughter of minor gentry, meets Kit Ellingsworth, the new Earl of Blakemere, at a London ball where they are both seeking a marriage of convenience: she needs a husband's money to buy a home base for her smuggling operation, which is keeping her entire Cornish village afloat; Kit is widely known to be bound by a will that requires matrimony before the awarding of a substantial inheritance. Their instant attraction is a surprise bonus. A quick wedding seems like the best option, but a new clause in the will is revealed after the ceremony—one that hands control of the promised funds to Tamsyn. The unexpected twist, followed by Kit’s bungling attempt to seduce Tamsyn into financing a cherished venture, threatens the bond that had begun to override their initial mercenary intent. There is also the small matter of Tamsyn’s criminal activity, which she is determined to continue and keep a secret from Kit—even when using his house to store goods. The logical consequence of this choice can be predicted well in advance, like the basement scene in a slasher movie. The novel does a credible job of showing the couple's growing love, though mostly in scenes of Kit striving to make his countess happy, and also fleshes out some of the minor characters. But the pacing is uneven; a scene in a sex club, for example, is unexciting, more like a clumsy detour into a 1970s key party orgy.

Love excuses bad ethics in this implausible tale of an intrepid baron’s daughter who lies her way to a happy ending. For fans of risk-taking heroines and saved-by-the-bell conclusions.

Pub Date: March 27, 2018

ISBN: 978-0-06-249943-1

Page Count: 384

Publisher: Avon/HarperCollins

Review Posted Online: Jan. 22, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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THE OTHER BENNET SISTER

Entertaining and thoroughly engrossing.

Another reboot of Jane Austen?!? Hadlow pulls it off in a smart, heartfelt novel devoted to bookish Mary, middle of the five sisters in Pride and Prejudice.

Part 1 recaps Pride and Prejudice through Mary’s eyes, climaxing with the humiliating moment when she sings poorly at a party and older sister Elizabeth goads their father to cut her off in front of everyone. The sisters’ friend Charlotte, who marries the unctuous Mr. Collins after Elizabeth rejects him, emerges as a pivotal character; her conversations with Mary are even tougher-minded here than those with Elizabeth depicted by Austen. In Part 2, two years later, Mary observes on a visit that Charlotte is deferential but remote with her husband; she forms an intellectual friendship with the neglected and surprisingly nice Mr. Collins that leads to Charlotte’s asking Mary to leave. In Part 3, Mary finds refuge in London with her kindly aunt and uncle, Mr. and Mrs. Gardiner. Mrs. Gardiner is the second motherly woman, after Longbourn housekeeper Mrs. Hill, to try to undo the psychic damage wrought by Mary’s actual mother, shallow, status-obsessed Mrs. Bennet, by building up her confidence and buying her some nice clothes (funded by guilt-ridden Lizzy). Sure enough, two suitors appear: Tom Hayward, a poetry-loving lawyer who relishes Mary’s intellect but urges her to also express her feelings; and William Ryder, charming but feckless inheritor of a large fortune, whom naturally Mrs. Bennet loudly favors. It takes some maneuvering to orchestrate the estrangement of Mary and Tom, so clearly right for each other, but debut novelist Hadlow manages it with aplomb in a bravura passage describing a walking tour of the Lake District rife with seething complications furthered by odious Caroline Bingley. Her comeuppance at Mary’s hands marks the welcome final step in our heroine’s transformation from a self-doubting wallflower to a vibrant, self-assured woman who deserves her happy ending. Hadlow traces that progression with sensitivity, emotional clarity, and a quiet edge of social criticism Austen would have relished.

Entertaining and thoroughly engrossing.

Pub Date: March 31, 2020

ISBN: 978-1-250-12941-3

Page Count: 448

Publisher: Henry Holt

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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ONE DAY IN DECEMBER

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...

True love flares between two people, but they find that circumstances always impede it.

On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.

Pub Date: Oct. 16, 2018

ISBN: 978-0-525-57468-2

Page Count: 400

Publisher: Crown

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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