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LITERARY BROOKLYN

THE WRITERS OF BROOKLYN AND THE STORY OF AMERICAN CITY LIFE

Wonderfully illuminating.

An engaging survey of Brooklyn’s literary tradition from Walt Whitman to Jonathan Lethem.

A pastoral village of 5,000 when Whitman arrived in 1823, Brooklyn was the nation’s third-largest city by the Civil War. In 1898, 15 years after construction of Washington Roebling’s iconic bridge linking it to Manhattan, Brooklyn became a New York City borough. A World War II boomtown, a pocket of depression afterward, a failing community by the ’60s and ’70s and conspicuously gentrified, culturally vital place today, Brooklyn, in all its incarnations, has proven a remarkably fertile ground for literature. In his debut, journalist and critic Hughes charts this tumultuous, two-century urban history through the lives and works of important writers who, for their own reasons and for a time at least, called Brooklyn home. Elegantly, the author slides in and out of eras, identifying the sometimes surprising geographical and spiritual connections among an impressive list of writers: Norman Mailer, Bernard Malamud, Norman Podhoretz, Alfred Kazin, William Styron, Arthur Miller, Paul Auster, Truman Capote, Jonathan Safran Foer and more. Whether they used it as subject, setting, or inspiration, saw it as a refuge, hideout or merely as a patch of relative green convenient to Manhattan, these writers are part of a rich artistic procession Hughes brings vividly to life. Hart Crane looked out the same apartment window from which Roebling oversaw the bridge construction. Prim, church-going Marianne Moore, who edited Crane, spent time in Fort Greene Park, probably unaware of Henry Miller, trying then to publish Crazy Cock, or Richard Wright, composing Native Son, occupying nearby benches. Hughes concludes with a quick scan of today’s thriving scene, every bit worthy, it seems, of the borough’s distinguished literary history.

Wonderfully illuminating.

Pub Date: Aug. 16, 2011

ISBN: 978-0-8050-8986-8

Page Count: 352

Publisher: Henry Holt

Review Posted Online: June 20, 2011

Kirkus Reviews Issue: June 15, 2011

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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