by Evelyn Barish ‧ RELEASE DATE: March 17, 2014
An extraordinary story of a complex personality presented with a wise dose of irony and respect.
A riveting biography of master confidence man Paul de Man (1919–1983), manipulator of the facts and influential literary instructor—a character both preposterous and irresistible.
Barish (English/City Univ. of New York Graduate Center; Emerson: The Roots of Prophecy, 1989) leaves de Man’s deconstructionist contradictions mostly off to the side and concentrates on the wildly chameleonic personality and the upbringing of this charismatic character who eluded justice from Nazi-occupied Belgium and later fabricated his academic reputation at Harvard and elsewhere by wily connections and sheer boldness. The tale of de Man is not only the tangled trajectory of a psychically scarred young man from a deeply problematic family who saw an opportunity to advance himself through Nazi collaboration, but also the story of the striking gullibility of an American elitist intellectual milieu that never questioned his credentials due to its own postwar sense of inferiority compared to European literature. Barish gets underneath the objectionable journalistic pieces de Man wrote during the war and his skein of publishing embezzlements in Brussels by exploring the pattern of secrecy and shame in his own upper-middle-class Antwerp family: a depressed mother who hanged herself; a troubled older brother who was killed by an oncoming train; an uncle who was a high-ranking minister in Belgian government, advocating appeasement and anti-Semitism and whom Paul highly revered and passed off later as his father. De Man became an “intellectual entrepreneur,” autodidact, university dropout and superb bluffer who saw his chance to “take a place” in the new Nazi order. While his collaborationist colleagues were imprisoned after the war, de Man fled to the United States. His entry into intellectual circles, thanks to Mary McCarthy and Henry Kissinger, among others, allowed him immunity and a disguise as he forged a brilliant academic career.
An extraordinary story of a complex personality presented with a wise dose of irony and respect.Pub Date: March 17, 2014
ISBN: 978-0-87140-326-1
Page Count: 564
Publisher: Liveright/Norton
Review Posted Online: Dec. 13, 2013
Kirkus Reviews Issue: Jan. 1, 2014
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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