A frank, well-intentioned but uneven account of volunteering in Peru.
A former Peace Corps worker recalls her time spent in 1960s Peru in this debut memoir.
Raised by devout Roman Catholic parents, LaTorre spent her early years in the cowboy town of Ismay, Montana, before relocating in her teens to California, where her social development “crept along at a slow creek’s pace.” Life changed in her 20s when the experience of living in Latin American cultures “awakened my body and soothed my restless soul.” In 1963, she joined a group of 20-something female students who spent their summer vacation “performing good works” among Mexico’s disadvantaged communities. Her time spent in Apaseo, where, among other tasks, she helped set up a library, spurred her to join the Peace Corps the following year. The memoir recounts her training in New York and Puerto Rico before being assigned to Peru with the intention of engaging in community development work. On her 22nd birthday, the author found herself journeying through the Andes Mountains on her way to the town of Abancay, where she helped provide health care and also fell in love with Antonio, a local college student who tested her Catholic beliefs regarding intimacy. LaTorre presents a forthright and candid voice. She openly discusses how she found Latin men “enticing” and a “constant distraction.” Yet despite this attraction, she was protective of her independence, influenced by the strong women she grew up around in Montana. But her commentary on gender roles in other societies is sometimes surprising. She writes: “Domestic issues might interest most of the town’s females, but food preparation, childcare, and who was dating whom didn’t always interest us. We couldn’t understand local females’ submissiveness to their men.” There is little consideration of the obstacles to women’s liberation outside of America. Descriptions of Indigenous people also rely on stereotypes of otherness: “Small, dark, leather-skinned Indians.” LaTorre’s story is one of a determined young woman keen to achieve her goals; her relationship with Antonio will have readers guessing how the romance will turn out. Illustrated with the author’s photographs, this bold memoir offers many rich details about Peru and the Peace Corps. But readers may find some of the author’s descriptions of the country’s Native societies lack nuance.
A frank, well-intentioned but uneven account of volunteering in Peru.Pub Date: Aug. 11, 2020
ISBN: 978-1-63152-717-3
Page Count: 328
Publisher: She Writes Press
Review Posted Online: June 4, 2020
Review Program: Kirkus Indie
Suffering unfathomable anguish, a mother memorializes her murdered son with great tenderness.
Remembering “Hershy.”
Three hundred and twenty-eight days. That’s how long Hersh Goldberg-Polin was held in captivity—tortured and starved by his captors in underground tunnels—before he was executed. He was 23 years old. In this unvarnished and heartrending account, Goldberg-Polin’s mother, Rachel, writes of the unending torment that she and her husband, Jon, endured after learning that their son had been kidnapped by Hamas terrorists during the attacks of October 7, 2023. Like so many other young people on that day, Hersh was attending a music festival in Israel—a celebration of love and unity. As Goldberg-Polin writes, her son was “the only American citizen kidnapped alive on October 7th who did not return alive.” In direct, plainspoken language that steers clear of politics, the author, a Jewish educator, recounts “being in a daze of the most indescribably sickening horror and fear, like nothing I had ever felt in my life. I remember my heart racing and feeling like I was in a permanent state of someone scaring me.” In addition to “shovel[ing] out my pain in the form of words,” she shares reminiscences of her son, as well as details that only a parent could notice. “His eyes were cookies,” she says of her “Hershy.” “I couldn’t find the pupils within the dark chocolate-brown irises.…He had a raspy voice, even when he was a baby.” And: “I thought he was hilarious; his sarcasm and humor were similar to mine.” Hersh and his sisters, Leebie and Orly, adapted well to life in Israel after the family moved from Richmond, Virginia. (Hersh was born in the Bay Area.) After being discharged from his service in the Israeli army as a combat medic, he was planning to journey around the world—a longtime dream of his. “So many people have come to love you, Hersh,” Jon Polin writes in the book’s afterword. And with one simple word that has the power to touch any heart, he signs off: “Dada.”
Suffering unfathomable anguish, a mother memorializes her murdered son with great tenderness.Pub Date: April 21, 2026
ISBN: 9798217198009
Page Count: 288
Publisher: Random House
Review Posted Online: April 21, 2026
Kirkus Reviews Issue: June 1, 2026
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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