Presumably the last of the Evelyn Waugh novels dealing with the adventures of Englishman Guy Crouchback immediately prior, during and just after the Second World War, The End Of The Battle gleams with all the old audacity, macabre romanticism and cadaverous jollity which have made Waugh probably the supreme satirist of our day. For those not familiar with the previous Crouchback pursuits, the author has provided a synopsis, and though that's a curt and crowded affair and the opening pages rather stuffy, nevertheless as one gets into the odd-named, odd-ball characters and many-faceted plot the grand pattern becomes clear. Essentially Waugh is following his representative last-man-of honor hero through the Battle of Britain and using him as a guide to its nonsense and its glory. After movingly describing the funeral of Crouchback's Catholic father, the author then brilliantly tackles the return of Crouch-back's former wife, the much-married, breathless Virginia, who-pregnant from one of her lovers- gets Guy to the altar once more, takes up religion, motherhood and the good life, only to meet death in the London blitz. During that time Crouchback has been away serving UNRRA and negotiating with Tito's partisans on behalf of some Jewish refugees. What Waugh has to say both of Americans generally and the invidiousness of Dalmatian commissars particularly should infuriate the jingoists of either camp. But whether he is doing vignettes of Guy's Halberdier regiment or his quaint bachelor uncle or a daemonic friend who becomes a phony best-selling author or behind-the-scenes glimpses of battle stations, nursing retreats and social and sexual wartime mores, Mr. Waugh is always lumecane and incorrigible. And beneath the cold sparkle and baroque charm and chatter, the serious render cannot but help find real people and really human, if worldly, concern. A palpable hit.
Pub Date: Jan. 10, 1962
ISBN: 0316926205
Page Count: 352
Publisher: Little, Brown
Review Posted Online: April 11, 2012
Kirkus Reviews Issue: Dec. 15, 1961
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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