A fusion of horror and social commentary that chills but proves too uneven to truly terrify.
Malevolent inner voices plague young pandemic survivors in near-future London.
The J5X virus has killed millions worldwide and—unlike Covid-19—is particularly lethal to children under 10, so when 6-year-old Billy Stevens falls ill, his mother, 43-year-old divorcée Rachel Jackman, braces for the worst. After weeks of steady decline, however, Billy miraculously recovers and soon begins chatting nonstop with an invisible entity dubbed Delfy. Rachel assumes that Delfy is something Billy created to cope with the boredom of his convalescence, but the rest of the family isn’t so sure. Rachel’s partner, Al, and Billy’s 16-year-old sister, Nina, fear Delfy is a post-virus complication. Rachel’s mother, Orla, becomes convinced that Billy is possessed after “Delfy” tries to strangle her. Government health insurance doesn’t cover child psychiatric care, and Rachel and Al are broke, so when Billy’s violent behavior escalates, Rachel persuades her ex-husband, Henry, to pay for a consult with professor Graham Watson, whose website advertises a specialization in “post-flu imaginary friends.” Unbeknownst to Rachel and company, Graham has a secret underground clinic full of kids like Billy. Pseudonymous author Green’s debut suffers somewhat for her haphazard incorporation of the J5X outbreak; the characters’ cavalier attitude toward disease prevention strains credulity, particularly given current events. Although a subplot that spotlights the affordable housing crisis feels more carefully considered and Rachel’s mounting panic rings true, a deeply silly coda undercuts the tale’s largely gratifying climax and denouement.
A fusion of horror and social commentary that chills but proves too uneven to truly terrify.Pub Date: Oct. 6, 2020
ISBN: 978-0-593-09830-1
Page Count: 384
Publisher: Berkley
Review Posted Online: July 28, 2020
Kirkus Reviews Issue: Aug. 15, 2020
It's almost enough to make a person believe in ghosts.
A disturbing household secret has far-reaching consequences in this dark, unusual ghost story.
Mallory Quinn, fresh out of rehab and recovering from a recent tragedy, has taken a job as a nanny for an affluent couple living in the upscale suburb of Spring Brook, New Jersey, when a series of strange events start to make her (and her employers) question her own sanity. Teddy, the precocious and shy 5-year-old boy she's charged with watching, seems to be haunted by a ghost who channels his body to draw pictures that are far too complex and well formed for such a young child. At first, these drawings are rather typical: rabbits, hot air balloons, trees. But then the illustrations take a dark turn, showcasing the details of a gruesome murder; the inclusion of the drawings, which start out as stick figures and grow increasingly more disturbing and sophisticated, brings the reader right into the story. With the help of an attractive young gardener and a psychic neighbor and using only the drawings as clues, Mallory must solve the mystery of the house's grizzly past before it's too late. Rekulak does a great job with character development: Mallory, who narrates in the first person, has an engaging voice; the Maxwells' slightly overbearing parenting style and passive-aggressive quips feel very familiar; and Teddy is so three-dimensional that he sometimes feels like a real child.
It's almost enough to make a person believe in ghosts.Pub Date: May 10, 2022
ISBN: 978-1-250-81934-5
Page Count: 384
Publisher: Flatiron Books
Review Posted Online: March 1, 2022
Kirkus Reviews Issue: March 15, 2022
BOOK REVIEW
A new and contemplative take on the vampire novel.
Following a vampire across more than 200 years, this novel considers “whether this world and life in it is a kindness or an unkindness, a blessing or a curse.”
At the age of 10, Anna faces illness and death daily as an epidemic sweeps through her town. After the deaths of her father and brother, and when she's at her sickest, her grandfather arrives. Just as she’s about to succumb to the illness that killed her whole family, he transforms her into a vampire like himself. When she asks him why he did it, he replies: “This world, my dear child, all of it, right to the very end if there is to be an end, is a gift. But it’s a gift few are strong enough to receive. I made a judgment that you might be among those strong few, that you might be better served on this side of things than the other. I thought you might find some use for the world, and it for you.” The years that follow are difficult and often wrought with loss for Anna. She lives many lives over the centuries and eventually takes on the name Collette LaSange, opening a French preschool in Millstream Hollow, New York. Chapters alternate between Anna’s life beginning in the 1830s and her current life in 1984 as Collette. Notable points of tension arise when Collette tries unsuccessfully to sate her hunger, which is becoming increasingly unbearable, and as her interest in the artistic growth of a student named Leo deepens. Through decadently vivid prose—which could have been streamlined at times—this hefty novel meditates on major themes such as life, love, and death with exceptional acumen. The final questions in the book—“How presumptuous is the gift of life? What arrogance is implicit in the act of love that calls another into existence?”—serve as an anchor to meditations on these themes found throughout.
A new and contemplative take on the vampire novel.Pub Date: March 7, 2023
ISBN: 9781250856760
Page Count: 480
Publisher: Flatiron Books
Review Posted Online: Dec. 23, 2022
Kirkus Reviews Issue: Jan. 15, 2023
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