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Amelia, the Venutons and the Golden Cage

From the Amelia's Amazing Space Adventures series , Vol. 2

A lively sequel offers a sure-handed blend of fantasy, humor, adventure, and an ingenious heroine.

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In this second installment of a space-travel fantasy series for young readers, a little girl and her purple alien pal visit Venus.

At the end of the first book in Amelia’s Amazing Space Adventures chapter-book series, the 8-year-old title character returns from a trip to the moon with her new friend Uglesnoo, a three-armed visitor from Pluto. The two are working their way through the solar system (one planet per volume, it seems) to locate items necessary to save Uglesnoo’s sister from an “endless sleep” and to find an antidote for the rafter-raising snores of Amelia’s sibling. Next stop: Venus, to collect “20 Bliss Bubbles” in exchange for 10 boxes of “Moo-Bon” candy, acquired from the Moochin moon dwellers as a reward for helping them reclaim their underwater Sapphire Palace. Venus is home to catlike “Venutons,” who breathe out silver “bliss bubbles” while sleeping. (These can be cut and knotted at the ends like balloons. The deeper the sleep, the larger the bubbles.) Awakened, the Venutons make it clear that bliss bubble collectors are not welcome. After betrayal by cave-dwelling rabbit creatures, imprisonment in a rolling golden cage shaped like a giant ball of yarn, and a tussle aboard Uglesnoo’s spaceship with one last vengeful Venuton, the pair escapes thanks to Amelia’s quick thinking. Dispensing with the realities of planetary science, Blanchard (Amelia, the Moochins and the Sapphire Palace, 2014) has fun with her imaginary solar system and its inhabitants. Readers should, too. But as wacky as things get (chocolate rain from an “Interspecies Feeder”), Blanchard also delivers thoughtful balance (“The stars scattered like spilled sugar in the inky darkness”). She grounds her plot, too, in Amelia’s relatable moments of uncertainty and her ability to use her head to solve dilemmas as well as in helpful reminders of the escapade’s central purpose: curing Uglesnoo’s sister. Motz’s full-bleed, cartoon-style illustrations, mixed with variously colored text-only pages, reflect the book’s offbeat appeal.

A lively sequel offers a sure-handed blend of fantasy, humor, adventure, and an ingenious heroine.

Pub Date: March 15, 2016

ISBN: 978-1-5236-3671-6

Page Count: 62

Publisher: CreateSpace

Review Posted Online: July 17, 2016

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BECAUSE I HAD A TEACHER

A sweet, soft conversation starter and a charming gift.

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A paean to teachers and their surrogates everywhere.

This gentle ode to a teacher’s skill at inspiring, encouraging, and being a role model is spoken, presumably, from a child’s viewpoint. However, the voice could equally be that of an adult, because who can’t look back upon teachers or other early mentors who gave of themselves and offered their pupils so much? Indeed, some of the self-aware, self-assured expressions herein seem perhaps more realistic as uttered from one who’s already grown. Alternatively, readers won’t fail to note that this small book, illustrated with gentle soy-ink drawings and featuring an adult-child bear duo engaged in various sedentary and lively pursuits, could just as easily be about human parent- (or grandparent-) child pairs: some of the softly colored illustrations depict scenarios that are more likely to occur within a home and/or other family-oriented setting. Makes sense: aren’t parents and other close family members children’s first teachers? This duality suggests that the book might be best shared one-on-one between a nostalgic adult and a child who’s developed some self-confidence, having learned a thing or two from a parent, grandparent, older relative, or classroom instructor.

A sweet, soft conversation starter and a charming gift. (Picture book. 4-7)

Pub Date: March 1, 2017

ISBN: 978-1-943200-08-5

Page Count: 32

Publisher: Compendium

Review Posted Online: Dec. 13, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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TALES FOR VERY PICKY EATERS

Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)

Pub Date: May 1, 2011

ISBN: 978-0-547-14956-1

Page Count: 48

Publisher: Clarion Books

Review Posted Online: April 4, 2011

Kirkus Reviews Issue: April 1, 2011

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