A lively sequel offers a sure-handed blend of fantasy, humor, adventure, and an ingenious heroine.
In this second installment of a space-travel fantasy series for young readers, a little girl and her purple alien pal visit Venus.
At the end of the first book in Amelia’s Amazing Space Adventures chapter-book series, the 8-year-old title character returns from a trip to the moon with her new friend Uglesnoo, a three-armed visitor from Pluto. The two are working their way through the solar system (one planet per volume, it seems) to locate items necessary to save Uglesnoo’s sister from an “endless sleep” and to find an antidote for the rafter-raising snores of Amelia’s sibling. Next stop: Venus, to collect “20 Bliss Bubbles” in exchange for 10 boxes of “Moo-Bon” candy, acquired from the Moochin moon dwellers as a reward for helping them reclaim their underwater Sapphire Palace. Venus is home to catlike “Venutons,” who breathe out silver “bliss bubbles” while sleeping. (These can be cut and knotted at the ends like balloons. The deeper the sleep, the larger the bubbles.) Awakened, the Venutons make it clear that bliss bubble collectors are not welcome. After betrayal by cave-dwelling rabbit creatures, imprisonment in a rolling golden cage shaped like a giant ball of yarn, and a tussle aboard Uglesnoo’s spaceship with one last vengeful Venuton, the pair escapes thanks to Amelia’s quick thinking. Dispensing with the realities of planetary science, Blanchard (Amelia, the Moochins and the Sapphire Palace, 2014) has fun with her imaginary solar system and its inhabitants. Readers should, too. But as wacky as things get (chocolate rain from an “Interspecies Feeder”), Blanchard also delivers thoughtful balance (“The stars scattered like spilled sugar in the inky darkness”). She grounds her plot, too, in Amelia’s relatable moments of uncertainty and her ability to use her head to solve dilemmas as well as in helpful reminders of the escapade’s central purpose: curing Uglesnoo’s sister. Motz’s full-bleed, cartoon-style illustrations, mixed with variously colored text-only pages, reflect the book’s offbeat appeal.
A lively sequel offers a sure-handed blend of fantasy, humor, adventure, and an ingenious heroine.Pub Date: March 15, 2016
ISBN: 978-1-5236-3671-6
Page Count: 62
Publisher: CreateSpace
Review Posted Online: July 17, 2016
Review Program: Kirkus Indie
BOOK REVIEW
Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)
Pub Date: May 1, 2011
ISBN: 978-0-547-14956-1
Page Count: 48
Publisher: Clarion Books
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: April 1, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The seemingly ageless Seeger brings back his renowned giant for another go in a tuneful tale that, like the art, is a bit sketchy, but chockful of worthy messages. Faced with yearly floods and droughts since they’ve cut down all their trees, the townsfolk decide to build a dam—but the project is stymied by a boulder that is too huge to move. Call on Abiyoyo, suggests the granddaughter of the man with the magic wand, then just “Zoop Zoop” him away again. But the rock that Abiyoyo obligingly flings aside smashes the wand. How to avoid Abiyoyo’s destruction now? Sing the monster to sleep, then make it a peaceful, tree-planting member of the community, of course. Seeger sums it up in a postscript: “every community must learn to manage its giants.” Hays, who illustrated the original (1986), creates colorful, if unfinished-looking, scenes featuring a notably multicultural human cast and a towering Cubist fantasy of a giant. The song, based on a Xhosa lullaby, still has that hard-to-resist sing-along potential, and the themes of waging peace, collective action, and the benefits of sound ecological practices are presented in ways that children will both appreciate and enjoy. (Picture book. 5-9)
Pub Date: Oct. 1, 2001
ISBN: 0-689-83271-0
Page Count: 40
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2001
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