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MEA CULPA

A challenging but ultimately uplifting novel.

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In Muro’s debut novel, a spiritual young man comes of age in unusual circumstances.

The story begins with Eddie looking back on his youth living on the grounds of a Chicago insane asylum in the 1960s. Early on, it’s clear that the teenage Eddie is spiritually gifted. Despite where he lives, where his mother works as a doctor, he forms a Bible study group with a friend since “[a] need to read scriptures burned within Eddie.” He also speaks of a “friend” within himself who helps guide him through life. His relationship with God, and with the inmates, drives the narrative. Muro creates a strange world, as readers would expect a mental hospital to be, but it’s also as real as everyday life. The patients’ back stories illustrate the corruption and injustice that drove the mental health system at the time. Some inmates are foster children with nowhere else to go, and others are political dissidents shut away on spurious charges. Muro’s novel is based largely on his own experiences growing up in an asylum, where his father worked. It’s not for the faint of heart; almost as soon as it opens, for example, Eddie witnesses a priest molesting his younger sister. Readers go on to learn that Eddie’s love interest, Patricia, was sexually abused by her father, and many other patients in the asylum have similarly gruesome pasts. However, Muro doesn’t gratuitously describe these horrors. Instead, in well-paced, readable prose, he shows how these stories contributed to Eddie’s spiritual development. In the end, Eddie manages to bring light to the afflicted patients and, ultimately, to himself, even in the midst of tragedy. Muro develops clear themes over the course of the novel, showing Eddie’s relationship to the faith in which he was raised and to the faith he later finds. As a result, the book will likely appeal to habitual readers of inspirational works.

A challenging but ultimately uplifting novel.

Pub Date: March 20, 2013

ISBN: 978-1475155136

Page Count: 428

Publisher: CreateSpace

Review Posted Online: Oct. 2, 2013

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BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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