A landmark work of contemporary Arabic literature, at once allusive and defiant.
An enigmatic novel of resistance by the prizewinning Syrian writer in exile.
Huddud’s house is a real place in Azzam’s elegantly unfolding story, a ramshackle maze containing 170,000 Arabic books and 12,000 manuscripts. “Every room in this house has a story and an era,” Dr. Anees Alaghwani reads in one of those books; he has inherited the place and returned to Damascus from England in order to sell it. Alas, the era of Anees’ story is 2011, the dawn of the Syrian revolution and civil war, and powerful forces are conspiring to thwart his quest for profit. Some are shadowy, some have better intentions. Says a woman named Samia, who will come to figure prominently in Anees’ story, “What you need to keep in mind is that we will resist the sale of this house with everything we have.” She speaks, it seems, for the house as a repository of Damascene and Arabic culture, for all its contested meanings. Its name, though, scarcely conceals the Arabic word hudud, sins enumerated in Sharia law, and there are plenty of them: A central character, Fidel Al-Abdullah, raised by a Communist father and a devout mother, drinks and drugs and commits adultery until a switch flips and he to all appearances becomes an Islamist; other figures in the book indulge in similar peccadillos. All fall afoul of Syria’s dictatorial Assad regime, about which Fidel’s married lover, Layl, has this sharp observation: “Those loyal to Damascus’s dictator were wealthy, phony, lowly opportunists....She never met anyone with morals or a noble character who defended the Syrian regime.” Sympathies of this sort can get a person killed, and so they do. Given the subversive themes that punctuate a narrative that, at its best, is reminiscent of García Márquez, it’s small wonder that its author has fled Syria for the safety of Britain.
A landmark work of contemporary Arabic literature, at once allusive and defiant.Pub Date: March 19, 2024
ISBN: 9781623711153
Page Count: 320
Publisher: Interlink
Review Posted Online: Jan. 5, 2024
Kirkus Reviews Issue: Feb. 1, 2024
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
An existential crisis that steps on its own final moments.
With only a month left until the world ends due to a swiftly approaching black hole, Don and Rodney, a retired gay couple, road-trip from Maine to Washington to spend their final days with their son.
After reports that a planet-swallowing black hole is making its way toward Earth, Rodney and Don—who have been together for 40 years and survived everything from homophobia to the HIV crisis—decide to pack their belongings into an RV, say goodbye to their neighbors, and travel from Camden, Maine, to Washington to uphold a promise to spend their final days with their son. They can’t wait any longer, since there’s already chaos around the country: “Military vehicles in the streets of most cities and towns. Looting, rioting, the burning of cars and buildings and people, all of it had already happened.” As they make their way west across the country, they encounter fellow travelers ranging from close-knit families to free-spirited hippies, some of whom have come to terms with the impending end of the world and others who haven’t. While the story seems to be asking readers what they would do if they had 30 days left to live, and reflects on what different kinds of acceptance might look like in the face of unavoidable tragedy, it loses some of its poignancy in a series of thinly padded monologues about the meaning of life. Clearly intended to pack an emotional punch, it’s failed by an abrupt ending, and the way the journey’s mystery—which will be obvious to many readers—is revealed by an info dump in the last chapter.
An existential crisis that steps on its own final moments.Pub Date: April 28, 2026
ISBN: 9781250881236
Page Count: 176
Publisher: Tor
Review Posted Online: March 9, 2026
Kirkus Reviews Issue: April 1, 2026
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