A sensitive and possibly reassuring take on a psychological vulnerability that is all too common and not easily defended.
Lonely young Hélène begins to get out from under her body-image issue with help from a new friend—and Jane Eyre.
Weighed down by cruel graffiti (“Hélène weighs 216!”—a figure belied, later, by the “88” on a doctor’s scale but not before the damage is done) as well as looks and snickers from her former circle, Hélène walks slump-shouldered and isolated through a dreary world rendered in sepia wash. A class trip to nature camp brings no relief, as it entails a painful expedition to buy a swimsuit (“I’m a sausage”) and then exile to the “outcasts’ tent.” Only following Jane Eyre’s growth into a woman “clever, slender and wise” lightens her spirit. Then a brief encounter with a fox and the arrival of Géraldine, an extroverted fellow camper, signal at last the beginnings of a brighter outlook. Hand-lettered but easily legible, her sparely told narrative suits the swiftly drawn look of the art. Ably capturing Hélène’s emotional tides, Arsenault portrays her (as a child of plainly average build) in dark sequential panels that give way when she’s reading or dreaming to full spreads, usually in subdued tones of orange and blue. Those colors and others show up as highlights in closing scenes that are capped by a final glimpse of the bright fox amid burgeoning greenery.
A sensitive and possibly reassuring take on a psychological vulnerability that is all too common and not easily defended. (Graphic novel. 10-13)Pub Date: Sept. 1, 2013
ISBN: 978-1-55498-360-5
Page Count: 104
Publisher: Groundwood
Review Posted Online: July 16, 2013
Kirkus Reviews Issue: Aug. 1, 2013
BOOK REVIEW
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
Cinematic, over-the-top decadence, a tense race against time, and lessons on what’s truly valuable.
A reward of $5,000,000 almost ruins everything for two seventh graders.
On a class trip to New York City, Felix and Benji find a wallet belonging to social media billionaire Laura Friendly. Benji, a well-off, chaotic kid with learning disabilities, swipes $20 from the wallet before they send it back to its owner. Felix, a poor, shy, rule-follower, reluctantly consents. So when Laura Friendly herself arrives to give them a reward for the returned wallet, she’s annoyed. To teach her larcenous helpers a lesson, Laura offers them a deal: a $20,000 college scholarship or slightly over $5 million cash—but with strings attached. The boys must spend all the money in 30 days, with legal stipulations preventing them from giving anything away, investing, or telling anyone about it. The glorious windfall quickly grows to become a chore and then a torment as the boys appear increasingly selfish and irresponsible to the adults in their lives. They rent luxury cars, hire a (wonderful) philosophy undergrad as a chauffeur, take their families to Disney World, and spend thousands on in-app game purchases. Yet, surrounded by hedonistically described piles of loot and filthy lucre, the boys long for simpler fundamentals. The absorbing spending spree reads like a fun family film, gleefully stuffed with the very opulence it warns against. Major characters are White.
Cinematic, over-the-top decadence, a tense race against time, and lessons on what’s truly valuable. (mathematical explanations) (Fiction. 10-12)Pub Date: Sept. 1, 2020
ISBN: 978-0-593-17525-5
Page Count: 336
Publisher: Random House
Review Posted Online: June 29, 2020
Kirkus Reviews Issue: July 15, 2020
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