A young woman's struggles will resonate with many readers despite the novel's pat resolution.
In her debut novel, poet Roísín takes aim at the model minority myth as 20-something narrator Taylia Chatterjee navigates racism, family problems, and sexual violence.
As the story begins, Taylia is home in Manhattan, having taken a break from college while mourning the death of her older sister, Alyssa, who died two years earlier. Taylia is suffering from depression and low self-esteem, believing Alyssa was more beloved by their parents. In addition, her Indian father and White Jewish mother couldn't address the microaggressions and cultural disconnect Taylia and Alyssa navigated while growing up. Despite her family's affluent lifestyle, Taylia has suffered various deprivations that money and education cannot overcome. Only her summer spent in India with her paternal grandmother, dadi-ma, was any balm. After Taylia is gang-raped by the son of family friends and his acquaintances at a party, the man takes her home and tells her parents she got drunk and threw herself at him; her parents disown her, and Taylia is expelled from her family's Upper West Side apartment. Fortunately, Taylia has a small inheritance from her beloved dadi-ma and is able to build a new life, step by step, after finding a job at a cafe. The queer feminist owner, Kat, takes Taylia under her care. The novel has many plot threads and characters, not all of whom are equally developed. In particular, Taylia's parents are seriously underwritten, especially given the important role they play. Long conversations and coincidences drive much of the action, especially in the last third of the novel.
A young woman's struggles will resonate with many readers despite the novel's pat resolution.Pub Date: Sept. 15, 2020
ISBN: 978-1-951213-09-1
Page Count: 288
Publisher: Unnamed Press
Review Posted Online: Aug. 18, 2020
Kirkus Reviews Issue: Sept. 1, 2020
BOOK REVIEW
Rowell delivers the requisite happily-ever-after, but it doesn’t quite satisfy.
A second-chance romance from the author of Slow Dance (2024) and the Simon Snow Trilogy.
Cherry is fat. There are other things to know about Cherry, but this fact is essential to how she sees herself and—she knows—essential to how other people see her. And now that her husband’s hugely popular webcomic is a movie, she not only has to endure people confusing her with the character that’s based on her, but also the knowledge that the actor playing this character is wearing a fat suit. This pain is exacerbated by the fact that her marriage is over. It’s at this rock-bottom moment that her college crush reenters her life…This is a book about being fat, and Rowell does a great job of depicting what internalized fatphobia looks like. “Cherry was so used to thinking about being fat, she hardly even noticed that she was doing it. She was so used to thinking about being fat, she never thought about it.” Observations like this will resonate with a lot of readers, as will Cherry’s complicated feelings about weight-loss drugs. This is also a romance and, as a romance, it’s kind of all over the place. It’s totally realistic for Cherry to wonder if Russ—the guy from college—never pursued her because of her weight. This is a conflict that feels true. What’s less believable is the way he reacts when he sees a trailer for Cherry’s husband’s movie. It’s clear that he didn’t get that this movie was going to be a blockbuster. In short, Russ freaks out, and it’s not at all clear why. As for Cherry’s husband, the way she feels about him at the beginning of the book is totally disconnected from the way she feels about him in the novel’s latter half. It’s normal to have complicated feelings about the end of a marriage, of course, but there’s no emotional throughline to help the reader understand why Cherry’s feelings change so dramatically.
Rowell delivers the requisite happily-ever-after, but it doesn’t quite satisfy.Pub Date: April 14, 2026
ISBN: 9780063380264
Page Count: 416
Publisher: Morrow/HarperCollins
Review Posted Online: Dec. 20, 2025
Kirkus Reviews Issue: Feb. 1, 2026
SEEN & HEARD
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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