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A VERY COLD WINTER

As simple and nourishing as the matriarch’s egg soup, Cialente’s prose shows how women brought Italy out of postwar malaise.

A fresh translation of Italian novelist Cialente’s novel, originally published in 1964, brings to life a post–World War II Milanese family’s privations, interactions, and encounters.

The antifascist Gruppo ’63 writers, including Cialente’s fellow feminists Alba de Céspedes and Natalia Ginzburg, sought to shake up their nation’s cobwebbed literary conventions and bring a new perspective on Italy’s 20th-century reality. This novel takes place during the frigid European season in 1946-47, when people sought shelter in drafty urban attics rather than die of exposure on their farms. Camilla and her children, Alba, Lalla, and Guido, huddle along with a number of other kinfolk in such an attic, subsisting on meager provisions and whatever treats privileged relatives offer. From the timely yet still-sad death of Camilla’s mother to scenes of new mother Regina and her infant, Nicoletta (whose father, Nicola, we learn, was a Resistance fighter who died after the war), to Alba’s sudden disappearance, Cialente builds a layered pastiche of contrasts: Death and birth, sunny memories against gloomy present, simplicity next to sophistication, and always public versus private. “Everyone’s unhappiness was so depressing, their eternal discontent!,” thinks Camilla. No one has enough room or warmth or silence, making gifts of those things almost as precious as scant opportunities to celebrate, as the assembled do when Regina and neighbor Enzo pair off quietly. Their life together, like everyone else’s, appears in short sections that allow the author to play with narrative distance the way Camilla’s musician nephew Arrigo performs on his violin. In three parts, the story begins with the assembled family, moves out to Alba’s adventures away from them, and returns again to a group coping with tragedy, disruption, and a changing world. Ultimately, it’s the arrival of spring and thus the passage of time that brings this gem of realistic fiction to its imperfectly human conclusion.

As simple and nourishing as the matriarch’s egg soup, Cialente’s prose shows how women brought Italy out of postwar malaise.

Pub Date: Jan. 20, 2026

ISBN: 9798893380231

Page Count: 288

Publisher: Transit Books

Review Posted Online: Nov. 22, 2025

Kirkus Reviews Issue: Jan. 1, 2026

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

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Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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