This poignant story resonates.
Australian Parrett’s first novel, an understated and beautifully penned story set on the Tasmanian coast, gives voice to two brothers as their lives are influenced by unpredictable forces.
Long after the death of their mother, young Harry and his older brother Miles live in the family home and suffer at the hands of their abusive father, an embittered man who harbors a dark secret and spends his evenings in a drunken stupor. The boys’ eldest brother, 19-year-old Joe, shares a passion for surfing with Miles, but he no longer lives at home and plans to leave the area after clearing out their late grandfather’s house. Miles, at 13, is forced into a hardscrabble existence helping his dad eke out a living on his fishing boat. His father is mired in debt, no longer has a valid license and has no scruples about fishing in protected waters. And when the only man on the boat with any sympathy for Miles’ plight is injured, Miles must endure his father’s cruelty alone. In contrast, Harry, younger than Miles by four years, gets seasick and thus far has been spared the same torture: Free to roam when his dad is out on the boat, he retains an innocent nature and ebullient spirit. When Harry searches for a stray puppy he spied on the way home from a friend’s house, he stumbles across the shack of a man ostracized for his deformities. Harry discovers that George, who rescued the puppy, is a kind, empathetic person, unlike the brute others believe him to be. When Miles and Harry run away after a particularly vicious evening with their father, they find a safe haven in George’s house—but both soon return home to their inevitable destinies. Parrett’s writing is exquisite in its simplicity and eloquence, and her narrative is heart-rending.
This poignant story resonates.Pub Date: April 22, 2014
ISBN: 978-1-4767-5487-1
Page Count: 272
Publisher: Washington Square/Pocket
Review Posted Online: Jan. 20, 2014
Kirkus Reviews Issue: Feb. 1, 2014
BOOK REVIEW
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and...
An amazingly intricate and ambitious first novel - ten years in the making - that puts an engrossing new spin on the traditional haunted-house tale.
Texts within texts, preceded by intriguing introductory material and followed by 150 pages of appendices and related "documents" and photographs, tell the story of a mysterious old house in a Virginia suburb inhabited by esteemed photographer-filmmaker Will Navidson, his companion Karen Green (an ex-fashion model), and their young children Daisy and Chad. The record of their experiences therein is preserved in Will's film The Davidson Record - which is the subject of an unpublished manuscript left behind by a (possibly insane) old man, Frank Zampano - which falls into the possession of Johnny Truant, a drifter who has survived an abusive childhood and the perverse possessiveness of his mad mother (who is institutionalized). As Johnny reads Zampano's manuscript, he adds his own (autobiographical) annotations to the scholarly ones that already adorn and clutter the text (a trick perhaps influenced by David Foster Wallace's Infinite Jest) - and begins experiencing panic attacks and episodes of disorientation that echo with ominous precision the content of Davidson's film (their house's interior proves, "impossibly," to be larger than its exterior; previously unnoticed doors and corridors extend inward inexplicably, and swallow up or traumatize all who dare to "explore" their recesses). Danielewski skillfully manipulates the reader's expectations and fears, employing ingeniously skewed typography, and throwing out hints that the house's apparent malevolence may be related to the history of the Jamestown colony, or to Davidson's Pulitzer Prize-winning photograph of a dying Vietnamese child stalked by a waiting vulture. Or, as "some critics [have suggested,] the house's mutations reflect the psychology of anyone who enters it."
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and cinema-derived rhetoric up the ante continuously, and stunningly. One of the most impressive excursions into the supernatural in many a year.Pub Date: March 6, 2000
ISBN: 0-375-70376-4
Page Count: 704
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2000
A tour de force.
In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.
After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.
A tour de force.Pub Date: Feb. 6, 2018
ISBN: 978-0-312-57723-0
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Oct. 30, 2017
Kirkus Reviews Issue: Nov. 15, 2017
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