Scattershot and self-indulgent.

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KEHUA!

The consequences of a long-ago murder in New Zealand reverberate all the way to England in Weldon’s latest (Habits of the House, 2013, etc.).

Kehua are the Maori spirits of the wandering dead, and they seem to have followed Beverley to North London, where she is recuperating from a knee replacement and lending a skeptical ear to granddaughter Scarlet’s confidence that she is leaving her husband for a sexy but has-been movie star. “This running away habit can get compulsive,” her grandmother warns, and aging Beverley should know; she’s done a lot of it since she discovered her mother’s bloody corpse on the floor of their New Zealand home, killed by a jealous husband—or was it the lover who might be Beverley’s real father? Little is for certain in Weldon’s game-playing narrative, which keeps cutting away from the main story to a first-person commentary by the author in the midst of creating it, who thinks the basement where she writes may be haunted. The author’s preoccupation with the Victorian-era residents of her house isn’t terribly interesting, nor are her confidences about the process of writing fiction. There’s quite enough plot already in the complicated lives of Beverley and her restless descendants: daughter Alice, who found religion shortly after giving birth to Cynara, whose knee-jerk feminism and newfound lesbianism embarrass younger sister Scarlet and infuriate Cynara’s 16-year-old daughter, Lola, who’s a troublemaker all around. You know a writer is having trouble maintaining focus when she opens a chapter with the words, “Let me remind you.” Weldon remains a wickedly funny observer of the human comedy, and her portrait of four generations of women unsettled by spirits of whose existence they are unaware (the kehua: remember them?) is intermittently moving. But the late arrival of an unknown son and a second murder merely underscore Weldon’s lack of discipline and irritating confidence that every single word she writes is fascinating.

Scattershot and self-indulgent.

Pub Date: Sept. 3, 2013

ISBN: 978-1-60945-137-0

Page Count: 256

Publisher: Europa Editions

Review Posted Online: Sept. 26, 2013

Kirkus Reviews Issue: Oct. 15, 2013

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Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

A CONSPIRACY OF BONES

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 23, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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A quirky and distinctive heroine headlines this fun and fast-paced thriller loaded with cinematic flourishes.

PRETTY AS A PICTURE

Murder and mayhem plague a film set on a secluded island off the coast of Delaware in Little’s (Dear Daughter, 2015, etc.) sophomore thriller.

When film editor Marissa Dahl takes a job on a new film directed by the talented but temperamental Tony Rees, she’s not given a script and must sign a mile-long nondisclosure agreement. It’s not ideal, but she needs the work. Escorted by an attractive ex–Navy SEAL named Isaiah, Marissa arrives on Kickout Island to find a bustling set, headquartered at a beautiful hotel, that is cloaked in secrecy and beset with dysfunction. Once Marissa gets down to work, she realizes that picking up the slack from the previous editor, who was fired for unknown reasons, won’t be smooth sailing and that the movie is based on the real-life unsolved murder of aspiring actress Caitlyn Kelly 25 years ago on that very island. Most folks assume that an eccentric ferry captain named Billy Lyle, a friend of Caitlyn’s, was the killer, but there was never enough evidence to convict. A few people, however, think he may be innocent. Marissa sets out to discover what really happened to Caitlyn with the help of Isaiah and two intrepid, tech-savvy 13-year-olds—Grace Portillo and Suzy Koh, whose parents work for the hotel. What she finds is a dead body and a whole lot of trouble. Readers fascinated with the behind-the-scenes machinations of a movie set will be enthralled, plus there’s a frisson of romantic tension between Isaiah and Marissa, and the island setting lends some spooky atmosphere. Snippets from Grace and Suzy’s true-crime podcast, Dead Ringer, are also sprinkled throughout. Though a killer on the loose adds a fair bit of urgency in the second half, the main focus is on Little’s singular narrator. Marissa relates to the world primarily through film and considers herself anything but typical: “It’s possible I’ve spent so much time watching movies that the language of film has infiltrated some primal, necessary part of my brain. I catch myself processing my own emotions in scenes, in shots, in dialogue.”

A quirky and distinctive heroine headlines this fun and fast-paced thriller loaded with cinematic flourishes.

Pub Date: Feb. 25, 2020

ISBN: 978-0-670-01639-6

Page Count: 352

Publisher: Viking

Review Posted Online: Nov. 25, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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