Picano recalls an exciting time with insight, enthusiasm and justifiable satisfaction.
A writer who was there and did all that chronicles perhaps the most significant period in the history of gay literature.
The Stonewall Riots of 1969 sent gay writers, artists and actors from their closets to their desks, studios and theaters. There for the next 30 or so years they created a body of candid, forthright, often laudatory works about gay life. One of the most prolific of them, Picano (Fred in Love, 2005, etc.) here recalls what happened. The theme is sex: sex as politics, sex as literature, sex as just plain sex. When Picano spotted a tattoo of a seahorse (a male that reproduces) on the bod of a buff Italian man gleaming in the Key West sun, he got the name for the gay press he started in 1976. Five years later, he joined with two other publishers of gay works to form Gay Presses of New York. With six gay writers he formed the short-lived but influential Violet Quill Club. Picano’s history of all this is rich with anecdotes, profiles and background notes. He captures the excitement of a Violet Quill reading at Manhattan’s Three Lives & Company Bookstore. He traces the development of Harvey Fierstein’s Torchsong Trilogy, the play that propelled gay theater into the mainstream and, in book form, helped keep Gay Presses of New York solvent. And he describes authors famous (Gore Vidal) and unknown (the Rev. Boyd McDonald, who wrote scorching accounts of his sexual adventures). Picano’s own adventures feed into the story. After Robert Mapplethorpe photographed Picano’s genitals, the men had sex. The freedom to do that, then write and publish the story, is what his book is all about.
Picano recalls an exciting time with insight, enthusiasm and justifiable satisfaction.Pub Date: Aug. 1, 2007
ISBN: 978-0-78671-813-9
Page Count: 320
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2007
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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