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TRUE STORIES TOO

PEOPLE AND PLACES FROM MY PAST

Awards & Accolades

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Picano expands on the autobiographical essays of his previous book, True Stories (2011).

In this sequel, Picano reflects on family, relationships and the various cities of his past, most notably New York, where he was active in the pre- and post-Stonewall gay community of lower Manhattan. There, he took part in “ad-hoc vigilante protection squads” for gay men, enjoyed a bourgeoning literary community and frequented the seediest bars of Greenwich Village. Picano also examines in depth his relationship with his older brother, Bob. Like Picano, Bob was gay, but unlike Picano, he was struggling financially, addicted to drugs and most likely HIV-positive. In light of this, Picano revisits the tension in his early family life and his father’s “plan for feudalizing his sons” as well as his mother’s favoring the older boy above all else. These tensions forced Picano to eventually run away from home—he “led the exodus out of Queens and into Manhattan”—and perhaps to his becoming the more successful brother. This sense of success shows in Picano’s prose, as his narration can be melodramatic and boastful. He casually name-drops literary superstars such as Michel Foucault or hints at the celebrities he might have kissed in dark restaurants. He also lists the glamorous places he’s visited and the fabulous apartments he’s inhabited. But Picano keeps his stories from feeling too overindulgent through brief, carefully reconstructed moments that expertly reveal character and complex dynamics. The bittersweet last words of his soul mate or the whole of the collection’s best piece, “The ‘Nick’ Diaries,” in which his brief journal entries relate a confusing pseudo-romance with a straight man in LA—it’s in these moments that Picano’s stories become the most engaging. His writing is most moving when he’s reflecting on AIDS and HIV, a theme that connects each story and has affected so many people in his life. “When I first moved to L.A.,” he writes, “people here, eager or pleased to know me, always asked why I had moved so relatively late in life. ‘Everyone died,’ I told them.”

An intensely personal collection centered on the survivor of a fascinating, chaotic time.

Pub Date: June 19, 2014

ISBN: 978-1937627157

Page Count: 278

Publisher: Chelsea Station Editions

Review Posted Online: June 7, 2014

Kirkus Reviews Issue: Aug. 1, 2014

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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