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TRUE STORIES TOO

PEOPLE AND PLACES FROM MY PAST

Awards & Accolades

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Picano expands on the autobiographical essays of his previous book, True Stories (2011).

In this sequel, Picano reflects on family, relationships and the various cities of his past, most notably New York, where he was active in the pre- and post-Stonewall gay community of lower Manhattan. There, he took part in “ad-hoc vigilante protection squads” for gay men, enjoyed a bourgeoning literary community and frequented the seediest bars of Greenwich Village. Picano also examines in depth his relationship with his older brother, Bob. Like Picano, Bob was gay, but unlike Picano, he was struggling financially, addicted to drugs and most likely HIV-positive. In light of this, Picano revisits the tension in his early family life and his father’s “plan for feudalizing his sons” as well as his mother’s favoring the older boy above all else. These tensions forced Picano to eventually run away from home—he “led the exodus out of Queens and into Manhattan”—and perhaps to his becoming the more successful brother. This sense of success shows in Picano’s prose, as his narration can be melodramatic and boastful. He casually name-drops literary superstars such as Michel Foucault or hints at the celebrities he might have kissed in dark restaurants. He also lists the glamorous places he’s visited and the fabulous apartments he’s inhabited. But Picano keeps his stories from feeling too overindulgent through brief, carefully reconstructed moments that expertly reveal character and complex dynamics. The bittersweet last words of his soul mate or the whole of the collection’s best piece, “The ‘Nick’ Diaries,” in which his brief journal entries relate a confusing pseudo-romance with a straight man in LA—it’s in these moments that Picano’s stories become the most engaging. His writing is most moving when he’s reflecting on AIDS and HIV, a theme that connects each story and has affected so many people in his life. “When I first moved to L.A.,” he writes, “people here, eager or pleased to know me, always asked why I had moved so relatively late in life. ‘Everyone died,’ I told them.”

An intensely personal collection centered on the survivor of a fascinating, chaotic time.

Pub Date: June 19, 2014

ISBN: 978-1937627157

Page Count: 278

Publisher: Chelsea Station Editions

Review Posted Online: June 7, 2014

Kirkus Reviews Issue: Aug. 1, 2014

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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