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PINK SLIME

Stunning writing makes this a startlingly powerful novel.

A town is decimated by a horrifying epidemic in this dark novel.

The second novel by Uruguayan author Trías to be translated into English—following The Rooftop (2021)—begins with a suffocating sense of doom and doesn’t let up from there. The unnamed narrator, living in a port town in an unnamed country, describes the aftermath of a destructive algae bloom that’s choking the life out of the area: “Under each unbroken surface, mold cleaved silent through wood, rust bored into metal. Everything was rotting. We were, too.” She recounts the early moments of the epidemic, when a massive fish kill gave an indication that something was wrong; the divers dispatched to investigate the cause all lost their lives to the disease, which causes its victims’ skin to peel from their bodies. The townspeople who have chosen to remain are forced to endure power outages and food shortages, with many only able to eat a processed food called “Meatrite”—the “pink slime” of the title. The narrator has regular contact with only three people: her mother, with whom she is engaged in an “eternal skirmish”; Max, her ex-husband, hospitalized and suffering from a chronic case of the disease; and Mauro, the boy she babysits, who has a syndrome that causes him to always be hungry. The narrator knows the situation isn’t going to improve anytime soon, and Trías captures her resigned dread perfectly. This is a stunningly dark novel, but a beautiful one; Trías’ prose and Cleary’s translation perfectly capture what it feels like to live in an epidemic: “It’s hard for me to describe time in confinement, because if anything characterized those periods it was the sensation of existing in a kind of non-time. We lived in a constant state of anticipation, but we weren’t waiting for anything in particular.” This is a knockout of a story.

Stunning writing makes this a startlingly powerful novel.

Pub Date: July 2, 2024

ISBN: 9781668049778

Page Count: 240

Publisher: Scribner

Review Posted Online: May 17, 2024

Kirkus Reviews Issue: June 15, 2024

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PARTITA

Brilliant, affecting work from one of contemporary literature’s masters.

A phone call from her past disrupts the tenuously reconstructed life of a concert pianist turned farmer’s wife.

We know from the beginning that Livia Cable is the battered survivor of her brother Cyrus’ death by suicide, a devastating romance, and a career-ending injury. Only 11 when Cyrus stepped in front of a train, she was already marked out as different in her rural Tennessee hometown by her extraordinary musical ability. The siblings had huddled together against their angry mother’s frequent beatings, and Livia still feels abandoned by Cyrus years later, when she picks up the phone to hear the voice of Sigurd, the fiery labor organizer she loved and lost to “the revolution” while on scholarship at the Indiana University School of Music. Now married to kind, steady childhood friend Charlie, Livia looks back on her affair with Sigurd as she struggles to deal with the recent death of her mother, a compulsive hoarder who left a house stuffed with junk to be disposed of and bitter memories that haven’t faded over time. Kingsolver skillfully juggles the two time frames to unravel Livia’s complicated feelings about the life she lost when her right hand was crushed and the life she has now as a country piano teacher. A partita, she explains to Sigurd early on, “is a composition made of a lot of parts with a lot of different moods…the artist’s work is to make them all add up to something that feels whole.” That’s precisely what Kingsolver does in this beautifully paced and judged narrative, which builds to revelations uncovered amid the piles of trash in Livia’s childhood home about the reasons for Cyrus’ suicide (clearly foreshadowed) and their mother’s rage (startling and heartbreaking). A fierce belief that great art is for everyone joins Kingsolver’s familiar preoccupations with class distinctions, social injustice, and the complex bonds of family and community in a tender denouement.

Brilliant, affecting work from one of contemporary literature’s masters.

Pub Date: Oct. 6, 2026

ISBN: 9780063577541

Page Count: 352

Publisher: Harper/HarperCollins

Review Posted Online: July 6, 2026

Kirkus Reviews Issue: Aug. 1, 2026

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

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Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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