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THE PINE TAR GAME

THE KANSAS CITY ROYALS, THE NEW YORK YANKEES, AND BASEBALL'S MOST ABSURD AND ENTERTAINING CONTROVERSY

In terms of overarching significance, this is a slight book. It's worthy, however, for devoted professional baseball fans...

New York Daily News sports columnist Bondy (Who's on Worst?: The Lousiest Players, Biggest Cheaters, Saddest Goats and Other Antiheroes in Baseball History, 2013, etc.) builds an entire book around one controversial play during a game between the New York Yankees and Kansas City Royals on July 24, 1983.

On that play, Royals superstar George Brett hit a home run to put his team ahead in the ninth inning. But the Yankees protested the home run, citing an obscure rule that Brett had placed more pine tar on the handle of his bat than the rules allowed. The umpires upheld the protest and awarded the victory to the Yankees, enraging Brett and the Royals. The unusual ruling made the game briefly newsworthy, and the chief reason the game sticks in the minds of baseball fans (especially those watching the game) is Brett's reaction. A highly competitive but otherwise normally polite man, he raced from the dugout with the apparent intent of attacking the umpires. One of those umpires put a headlock on Brett, releasing him only after his teammates promised to wrestle him back to the dugout. Brett's outrage was caught on tape, and since that day 30 years ago, it has been replayed countless times. Bondy's book might be difficult to fully appreciate unless readers have watched the video, since mere words cannot fully capture the extreme reaction. But the author masterfully offers context and a history of the Yankees-Royals’ complicated sports rivalry, presents minibiographies of chief participants, explains the appeal by the Royals, which was upheld by the commissioner of Major League Baseball, and provides a discussion of the aftermath of the momentous ruling.

In terms of overarching significance, this is a slight book. It's worthy, however, for devoted professional baseball fans and for its artfulness in creating a narrative focused primarily on just one pitch—like that achieved by Mike Sowell in The Pitch that Killed (1989).

Pub Date: July 21, 2015

ISBN: 978-1-4767-7717-7

Page Count: 256

Publisher: Scribner

Review Posted Online: March 2, 2015

Kirkus Reviews Issue: March 15, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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