IT AIN'T SO AWFUL, FALAFEL

On her own journey to maturity, Cindy deftly guides young readers through Iran’s complicated realities in this fresh take on...

After a rocky start, Cindy (Zomorod to her parents) finds a comfortable niche in her California middle school until political upheaval and revolution in Iran reach the United States, threatening her future and her family’s safety.

Moving to Newport Beach, she renames herself Cindy, to avoid hearing teachers stumble over Zomorod (“emerald” in Persian), prompting the ridicule of kids like Bill (whose name means “shovel” in Persian). Her engineer dad, who loves to talk about the oil industry, and unhappy mom, who won’t learn English, pose bigger obstacles to fitting in, as she trenchantly describes: “It’s not like I don’t love them. I just want to hide them until they stop being embarrassing.” Few Americans in the 1970s know Iran, often wrongly assuming it’s populated by Arabs or that her family is Mexican. Acquiring a peer group, Cindy’s introduced to Scouting and sailing. Her parents are no fans of the shah, but their hopes for Iran’s future are dashed with the Islamic Revolution and its brutal aftermath. They fear for the safety of friends and family in Iran, then for their own as they experience the best and worst of their adopted culture. Cindy narrates in the present tense, her affection for Iran just as palpable as her engagement with the moment.

On her own journey to maturity, Cindy deftly guides young readers through Iran’s complicated realities in this fresh take on the immigrant experience—authentic, funny, and moving from beginning to end. (author’s note) (Historical fiction. 8-12)

Pub Date: May 3, 2016

ISBN: 978-0-544-61231-0

Page Count: 384

Publisher: Clarion Books

Review Posted Online: Feb. 16, 2016

Kirkus Reviews Issue: March 1, 2016

CHARLOTTE'S WEB

The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often...

A successful juvenile by the beloved New Yorker writer portrays a farm episode with an imaginative twist that makes a poignant, humorous story of a pig, a spider and a little girl.

Young Fern Arable pleads for the life of runt piglet Wilbur and gets her father to sell him to a neighbor, Mr. Zuckerman. Daily, Fern visits the Zuckermans to sit and muse with Wilbur and with the clever pen spider Charlotte, who befriends him when he is lonely and downcast. At the news of Wilbur's forthcoming slaughter, campaigning Charlotte, to the astonishment of people for miles around, spins words in her web. "Some Pig" comes first. Then "Terrific"—then "Radiant". The last word, when Wilbur is about to win a show prize and Charlotte is about to die from building her egg sac, is "Humble". And as the wonderful Charlotte does die, the sadness is tempered by the promise of more spiders next spring.

The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often informative as amusing, and the whole tenor of appealing wit and pathos will make fine entertainment for reading aloud, too.

Pub Date: Oct. 15, 1952

ISBN: 978-0-06-026385-0

Page Count: 192

Publisher: Harper/HarperCollins

Review Posted Online: Sept. 14, 2011

Kirkus Reviews Issue: Oct. 1, 1952

GHOSTS

Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and...

Catrina narrates the story of her mixed-race (Latino/white) family’s move from Southern California to Bahía de la Luna on the Northern California coast.

Dad has a new job, but it’s little sister Maya’s lungs that motivate the move: she has had cystic fibrosis since birth—a degenerative breathing condition. Despite her health, Maya loves adventure, even if her lungs suffer for it and even when Cat must follow to keep her safe. When Carlos, a tall, brown, and handsome teen Ghost Tour guide introduces the sisters to the Bahía ghosts—most of whom were Spanish-speaking Mexicans when alive—they fascinate Maya and she them, but the terrified Cat wants only to get herself and Maya back to safety. When the ghost adventure leads to Maya’s hospitalization, Cat blames both herself and Carlos, which makes seeing him at school difficult. As Cat awakens to the meaning of Halloween and Day of the Dead in this strange new home, she comes to understand the importance of the ghosts both to herself and to Maya. Telgemeier neatly balances enough issues that a lesser artist would split them into separate stories and delivers as much delight textually as visually. The backmatter includes snippets from Telgemeier’s sketchbook and a photo of her in Día makeup.

Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and unable to put down this compelling tale. (Graphic fiction. 8-12)

Pub Date: Sept. 13, 2016

ISBN: 978-0-545-54061-2

Page Count: 256

Publisher: Scholastic

Review Posted Online: July 1, 2016

Kirkus Reviews Issue: July 15, 2016

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