by Flannery O'Connor ‧ RELEASE DATE: Feb. 24, 1959
In her first novel — Wise Blood and in a collection of short stories — A Good Man is Hard to Find Flannery O'Connor manifested, along with her obvious talent, a penchant for the grotesque. If one wishes, this novel — an exercise in the macabre — can be read as an allegory: a struggle for a soul, a conflict between evils. When his great uncle died at the breakfast table Francis Marion Tarwater, 14, too drunk to bury him, fired his house and set out for the city to find out how much of what the old man had told him was true. The old man, who said he was a prophet, had kidnapped the boy from his uncle, baptized him, and raised Tarwater to expect the Lord's call himself. Rayber, Tarwater's uncle, a schoolteacher, had, himself, received the old man's indelible mark but he had repudiated his fate and married a woman from the Department of Welfare, twice his age. They had one child: an idiot. When Tarwater met the schoolteacher's dim and ancient idiot. When Tarwater met the schoolteacher's dim and ancient idiot child, Bishop, he knew that he was expected to baptize him — to carry on his great uncle's mission. The battle begins: between the schoolteacher's belief in nothing and the old man's fanaticism. Finally Tarwater succumbs to the tide of his heritage, baptizes and drowns Bishop and goes forth to the dark city "where the children of God lay sleeping". As a specialist in southern horror stories Miss O'Connor's attitude has been wry, her preferences perverse, her audience special.
Pub Date: Feb. 24, 1959
ISBN: 0374530874
Page Count: 260
Publisher: Farrar, Straus & Cudahy
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 1, 1959
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by George Orwell ‧ RELEASE DATE: Aug. 26, 1946
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
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by Genki Kawamura ; translated by Eric Selland ‧ RELEASE DATE: March 12, 2019
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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