by Flora Fennimore ‧ RELEASE DATE: March 24, 2014
A motivating combination of self-expression, philosophy and practical exercises for aspiring writers.
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A longtime writing professor shares her sensory approach to developing creative writing skills.
For more than 30 years, Fennimore (Earth Talking, 2010), a professor emeritus at Western Washington University in Bellingham, Washington, taught writing to public school students ranging from preschool through graduate school levels. In this 15-chapter guide, she sets forth her “field-developed” curriculum, a series of activities that begins with such sensory exercises as considering what words come to mind while contemplating a cotton ball and builds to crafting a satisfying story with conflict, characters and style. Fennimore, also an illustrator and published author of poetry and on the art of bookbinding, infuses all her creative interests into this work. She uses drawings to spark flights of fancy, including cover art of a sketched flower that has the caption “petals having a gossip session.” She encourages readers to bind together books of their own writing to celebrate their creative expression. Fennimore’s exercises are, not surprisingly, focused on reading or writing poetry, although many prose selections and activities are also included. One of Fennimore’s particularly interesting ideas is to use children’s picture books as a springboard to launch other stories. While Fennimore’s approach has plenty of New-Age flavor, it’s also her pedagogical belief, backed by other educators whom she cites throughout her narrative, that one learns how to write through a process of observing experiences, talking about them and then expressing them in written form. This credo has plenty of mass as well as academic appeal, and Fennimore must have been a wonderful mentor to many in her career. Based on its abundance of writing prompts alone, this book will be greatly valued by parents, students and teachers. Experienced writers may find some of Fennimore’s tutorials a bit too remedial, and her preference for children’s literature and student writing as reading selections won’t be to everyone’s taste. Overall, however, this is an effective—and affecting—starter text to calling forth the writer’s voice.
A motivating combination of self-expression, philosophy and practical exercises for aspiring writers.Pub Date: March 24, 2014
ISBN: 978-1494289140
Page Count: 308
Publisher: CreateSpace
Review Posted Online: June 12, 2014
Kirkus Reviews Issue: Aug. 15, 2014
Review Program: Kirkus Indie
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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