The open-ended nature of the ending suggests that the clan war is not yet over; it’ll be interesting to see what course Lee...

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JADE CITY

Two clans fueled by the magical power of jade battle for control of an analog of mid-20th-century Hong Kong.

Clan soldiers have a specific genetic affinity for jade not shared by most outsiders, which grants them strength and shielding, among other magical powers. Kaul Sen, the former Pillar (head) of the No Peak clan, has retired, and the new Pillar, Kaul Lan, doesn’t quite inspire the fear and loyalty garnered by his legendary grandfather or his late war hero father. His younger brother, Kaul Hilo, is an effective Horn (chief enforcer), but he’s also rash and impulsive. Sensing weakness in her rival, Ayt Madashi, the ruthless Pillar of the Mountain clan, begins a campaign to destroy No Peak and take total control of the island nation of Kekon. The setting suggests that this crime-thriller/fantasy might find inspiration in history and fiction about the triads, and perhaps it does, but it also clearly leans heavily on elements drawn from The Godfather. Some examples (beyond the general plot of crime families battling for supremacy): an adoptive member of the Kaul family is kidnapped by the Mountain to serve as intermediary; the Mountain wants to sell drugs and initially seeks No Peak’s help with the business; the character of Hilo bears some similarity to Sonny Corleone, while the third Kaul grandchild, Shae, traces part of the path of Michael Corleone (she’s spent years outside the clan pursuing her own interests but her loyalties drag her back when tragedy strikes). Despite those beats, Lee's (Exo, 2017, etc.) novel has its own story to tell; an intriguing confluence of history, culture, and biology shapes both the characters and their fates.

The open-ended nature of the ending suggests that the clan war is not yet over; it’ll be interesting to see what course Lee charts next.

Pub Date: Nov. 7, 2017

ISBN: 978-0-316-44086-8

Page Count: 600

Publisher: Orbit

Review Posted Online: Oct. 11, 2017

Kirkus Reviews Issue: Nov. 1, 2017

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If nothing else, you have to giggle over how this novel’s namesake, who held vicious white supremacist opinions, must be...

LOVECRAFT COUNTRY

Some very nice, very smart African-Americans are plunged into netherworlds of malevolent sorcery in the waning days of Jim Crow—as if Jim Crow alone wasn’t enough of a curse to begin with.

In the northern U.S. of the mid-1950s, as depicted in this merrily macabre pastiche by Ruff (The Mirage, 2012, etc.), Driving While Black is an even more perilous proposition than it is now. Ask Atticus Turner, an African-American Korean War veteran and science-fiction buff, who is compelled to face an all-too-customary gauntlet of racist highway patrolmen and hostile white roadside hamlets en route from his South Side Chicago home to a remote Massachusetts village in search of his curmudgeonly father, Montrose, who was lured away by a young white “sharp dresser” driving a silver Cadillac with tinted windows. At least Atticus isn’t alone; his uncle George, who puts out annual editions of The Safe Negro Travel Guide, is splitting driving duties in his Packard station wagon “with inlaid birch trim and side paneling.” Also along for the ride is Atticus’ childhood friend Letitia Dandridge, another sci-fi fan, whose family lived in the same neighborhood as the Turners. It turns out this road trip is merely the beginning of a series of bizarre chimerical adventures ensnaring both the Turner and Dandridge clans in ancient rituals, arcane magical texts, alternate universes, and transmogrifying potions, all of which bears some resemblance to the supernatural visions of H.P. Lovecraft and other gothic dream makers of the past. Ruff’s ripping yarns often pile on contrivances and overextend the narratives in the grand manner of pulp storytelling, but the reinvented mythos here seems to have aroused in him a newfound empathy and engagement with his characters.

If nothing else, you have to giggle over how this novel’s namesake, who held vicious white supremacist opinions, must be doing triple axels in his grave at the way his imagination has been so impudently shaken and stirred.

Pub Date: Feb. 16, 2016

ISBN: 978-0-06-229206-3

Page Count: 432

Publisher: Harper/HarperCollins

Review Posted Online: Nov. 4, 2015

Kirkus Reviews Issue: Nov. 15, 2015

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A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.

A BLIGHT OF BLACKWINGS

Book 2 of Hearne's latest fantasy trilogy, The Seven Kennings (A Plague of Giants, 2017), set in a multiracial world thrust into turmoil by an invasion of peculiar giants.

In this world, most races have their own particular magical endowment, or “kenning,” though there are downsides to trying to gain the magic (an excellent chance of being killed instead) and using it (rapid aging and death). Most recently discovered is the sixth kenning, whose beneficiaries can talk to and command animals. The story canters along, although with multiple first-person narrators, it's confusing at times. Some characters are familiar, others are new, most of them with their own problems to solve, all somehow caught up in the grand design. To escape her overbearing father and the unreasoning violence his kind represents, fire-giant Olet Kanek leads her followers into the far north, hoping to found a new city where the races and kennings can peacefully coexist. Joining Olet are young Abhinava Khose, discoverer of the sixth kenning, and, later, Koesha Gansu (kenning: air), captain of an all-female crew shipwrecked by deep-sea monsters. Elsewhere, Hanima, who commands hive insects, struggles to free her city from the iron grip of wealthy, callous merchant monarchists. Other threads focus on the Bone Giants, relentless invaders seeking the still-unknown seventh kenning, whose confidence that this can defeat the other six is deeply disturbing. Under Hearne's light touch, these elements mesh perfectly, presenting an inventive, eye-filling panorama; satisfying (and, where appropriate, well-resolved) plotlines; and tensions between the races and their kennings to supply much of the drama.

A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.

Pub Date: Feb. 4, 2020

ISBN: 978-0-345-54857-3

Page Count: 592

Publisher: Del Rey/Ballantine

Review Posted Online: Nov. 25, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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