A dark and gripping tale set on the far-right fringe.
In McMullin’s debut crime novel, a freelance photographer is caught up in a web of neo-Nazi violence.
Photojournalist Ethan McGuire takes pictures of those on the fringes of society: tattoo artists, cock fighters, spiritualists, burn victims. His current job has him tagging along with a group of white supremacists staging a rally in the Finger Lakes town of Geneva, New York. Ethan chooses this subject in part because he’s disturbed by the casual racism that permeates the suburbs of Rochester, where his daughters—10-year-old Mary and teenage Kath—live with his ex-wife, Robin. The photo shoot doesn’t go quite as planned—the skinheads are overwhelmed by protestors and, in an attempt to save one of the younger racists from getting beaten with a baseball bat, Ethan winds up striking a protester in the head with his camera. Due in part to this temporary confusion in loyalties, Ethan decides to pursue the skinheads project deeper. “The story isn’t simple because racism isn’t simple, people aren’t simple,” he tells his photo agent. “I haven’t figured out whether these are monsters wearing effective disguises or there’s a bit of a monster inside all of us.” Little does Ethan know, but he hasn’t even met the real monsters yet—the kind who rob banks and commit murders…and sometimes carry badges. McMullin documents Ethan’s journey with photographic precision, as here, where he describes a trip to a gun dealer: “Spread out on the table were the parts of a rifle…It appeared new and the oily metal surfaces were shiny in the clear morning sun. Unlike the clarity of the day, the young people looked a little bleary eyed, but still listened and watched with as much concentration as they could muster.” Though set in 2010, the novel feels particularly timely, and the perpetually zoomed-in Ethan serves as a compelling guide to this extremist subculture. One hopes that McMullin has further adventures planned for his unlikely hero.
A dark and gripping tale set on the far-right fringe.Pub Date: June 9, 2025
ISBN: 9798998786808
Page Count: 312
Publisher: Itsmine Productions
Review Posted Online: June 4, 2025
Review Program: Kirkus Indie
Recommended reading for every paranoid suburbanite who’s considering a move to the city, or to the Arctic wilds.
Character assassination reigns supreme, if not uncontested, in a Long Island suburb.
April Masterson loves her husband, corporate attorney Elliott; their 7-year-old, Bobby; and her YouTube channel, “April’s Sweet Secrets.” What she doesn’t love is whoever’s texting her warnings about how Bobby isn’t really in their backyard while she’s busy filming her videos or withering critiques of her baking show or veiled accusations about her past and threats about her present. Her best friend, former prosecutor Julie Bressler, may be bossy and opinionated, but surely she’d never turn on April this way. Who else might know enough to send April goodies like a picture of her kissing Mark Tanner, Bobby’s soccer coach? Though April struggles to get Elliot to take her ordeal seriously, even when she shows up at his office for a lunch date, he’s protected by his receptionist, Brianna Anderson, whose attachment to her boss goes far beyond loyalty. Then Julie turns on her; Maria Cooper, her friendly new next-door neighbor, turns on her; and in the most mind-boggling scene, Doris Kirkland, April’s mother, whose dementia has brought her to a nursing home, turns on her. McFadden releases an escalating series of toxins so deftly into the suburban atmosphere that it’s practically an anticlimax when someone gets killed and April instantly becomes the prime suspect. But that’s only a setup for the tale’s boldest move: switching its narrator from April to a fair-weather friend who frames the whole nightmare in dramatically different terms. As a special gift to her savviest fans, the author throws in an even more jolting epilogue that’s as hard to forget as it is to believe.
Recommended reading for every paranoid suburbanite who’s considering a move to the city, or to the Arctic wilds.Pub Date: March 3, 2026
ISBN: 9781464249600
Page Count: 368
Publisher: Poisoned Pen
Review Posted Online: Dec. 6, 2025
Kirkus Reviews Issue: Jan. 15, 2026
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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