A dark and gripping tale set on the far-right fringe.
In McMullin’s debut crime novel, a freelance photographer is caught up in a web of neo-Nazi violence.
Photojournalist Ethan McGuire takes pictures of those on the fringes of society: tattoo artists, cock fighters, spiritualists, burn victims. His current job has him tagging along with a group of white supremacists staging a rally in the Finger Lakes town of Geneva, New York. Ethan chooses this subject in part because he’s disturbed by the casual racism that permeates the suburbs of Rochester, where his daughters—10-year-old Mary and teenage Kath—live with his ex-wife, Robin. The photo shoot doesn’t go quite as planned—the skinheads are overwhelmed by protestors and, in an attempt to save one of the younger racists from getting beaten with a baseball bat, Ethan winds up striking a protester in the head with his camera. Due in part to this temporary confusion in loyalties, Ethan decides to pursue the skinheads project deeper. “The story isn’t simple because racism isn’t simple, people aren’t simple,” he tells his photo agent. “I haven’t figured out whether these are monsters wearing effective disguises or there’s a bit of a monster inside all of us.” Little does Ethan know, but he hasn’t even met the real monsters yet—the kind who rob banks and commit murders…and sometimes carry badges. McMullin documents Ethan’s journey with photographic precision, as here, where he describes a trip to a gun dealer: “Spread out on the table were the parts of a rifle…It appeared new and the oily metal surfaces were shiny in the clear morning sun. Unlike the clarity of the day, the young people looked a little bleary eyed, but still listened and watched with as much concentration as they could muster.” Though set in 2010, the novel feels particularly timely, and the perpetually zoomed-in Ethan serves as a compelling guide to this extremist subculture. One hopes that McMullin has further adventures planned for his unlikely hero.
A dark and gripping tale set on the far-right fringe.Pub Date: June 9, 2025
ISBN: 9798998786808
Page Count: 312
Publisher: Itsmine Productions
Review Posted Online: June 4, 2025
Review Program: Kirkus Indie
Trust no one in this over-the-top tale of deception and revenge.
Dead bodies turn up in the first sentence of the prologue in McFadden’s latest domestic thriller.
The mystery of who died is at the pulsating heart of this propulsive tale. As Chapter 1 begins, Naomi arrives home to find the locks changed on the front door of the gorgeous home she shares with her husband, Jeremy, and their 5-year-old son, Teddy. Jeremy steps out the front door and convinces Naomi to move out while he has their home renovated, a plan Naomi knows nothing about. It’s all a ruse, though, as the next day Jeremy tells her he wants a divorce. Naomi is shellshocked and soon discovers that Jeremy is having an affair with Veronica, a beautiful younger woman. What seems at first like a stereotypical story about a man who leaves his wife turns into something else when Naomi decides she’ll do anything to get Veronica away from Jeremy and Teddy, and Veronica decides to fight for what she thinks she deserves. Fans of stalker novels will cringe with delight as creepy things start to happen. Teddy’s stuffed elephant, a gift from Veronica, is found impaled on a kitchen knife; Naomi suspects Jeremy is gaslighting her and that Veronica tried to poison her. A weird confrontation among Jeremy, Veronica, and Naomi at Teddy’s birthday party, to which Naomi shows up uninvited, is priceless. There are three main characters, and any or all of them may be unreliable narrators. Packing the plot with dark, gasp-inducing twists, McFadden outdoes herself in a story about how highly emotional people engage in risky behavior to get what they want—but in this novel, for better or worse, not everyone will survive.
Trust no one in this over-the-top tale of deception and revenge.Pub Date: May 26, 2026
ISBN: 9781464249631
Page Count: 368
Publisher: Poisoned Pen
Review Posted Online: April 20, 2026
Kirkus Reviews Issue: May 15, 2026
BOOK TO SCREEN
A haunting, timeless exploration of the evil men do—and the imprint it leaves behind.
A middle-aged woman channels her best Miss Marple when she finds herself facing a nightmare from her past as she seeks to make sense of her present.
Jane Trevally is at a crossroads of sorts. After a traumatic childhood, she sought safety and solace in marriages with wealthy men. Now twice divorced and living with her four dogs in the crumbling English country mansion that is her birthright, she’s feeling the need to do something, to take a job, when one day a runaway dog turns up on her doorstep. The dog is chipped, and with the help of a local vet and her loyal stepson, Dexter Lombardi, Jane traces the dog’s home to the edge of Hampstead Heath, in London—a place that brings back the memory of a terrifying night from her youth, when a handsome man picked her up and took her back to this very house. Everything there felt wrong; she just managed to escape, certain that if she had stayed, she would have died that night. Now, soon after knocking on the door and returning the dog, she discovers that he had run away from an Airbnb near her house, where he had been staying with a young woman who seems to have disappeared. With the help of Dexter; his father, Tony, her second ex-husband; Tony’s former security enforcer, Tobias Wilson; and her own gift for connecting with people, Jane sets out to find the woman, taking her first steps on the path to becoming a private investigator. While Jane serves as the heart of the novel, Jewell also narrates chapters from several other characters’ points of view, all of which chip away at the horror that is the house on the Heath. By slowly revealing past and present simultaneously, Jewell keeps the mystery fresh as she plays with Gothic tropes and the timeless imagery of “a house of horrors” embodying human sin. She doesn’t flinch from exploring the depths of depravity in this house—and its humans.
A haunting, timeless exploration of the evil men do—and the imprint it leaves behind.Pub Date: June 23, 2026
ISBN: 9781668033906
Page Count: 384
Publisher: Atria
Review Posted Online: April 20, 2026
Kirkus Reviews Issue: May 15, 2026
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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