A solid argument for steering well clear of the social media behemoths.
The Facebook whistleblower extends arguments made in testimony before Congress in 2021.
Data engineer and scientist Haugen makes it abundantly clear that Facebook is not our friend. Its closed-software platform is a deliberate screen against transparency, and its “vast tangle of algorithms” serve as tools able to “exact a crushing, incalculable cost, such as unfairly influencing national elections, toppling governments, fomenting genocide, or causing a teenage girl’s self-esteem to plummet, leading to another death by suicide.” Regarding that software, she makes the salient point that “software is different from physical products because the user can see its results only on a screen.” When she started, the author joined a team whose aim was to ferret out how bad elements were able to spread misinformation and disinformation throughout the social media stream without encountering significant resistance. One clue: By her reckoning, there are at most 50,000 fact-checks generated monthly by Facebook’s journalist partners “for the entire world of three billion…users.” Facebook’s stated intention of being a platform for free expression may be admirable in theory, but in practice, it seeks to create an ever larger audience; being exposed to poisonous ideas is merely collateral damage—or so one would conclude from Haugen’s clearly stated objections. A less attractive matter that emerges from the narrative, unfortunately, is a portrait of an employee who was never quite satisfied with any of the many tech companies in which she worked, including Google, Yelp, and Pinterest, and Haugen’s personal grievances sometimes threaten to bludgeon issues of larger interest. Still, the author delivers on her promise “to tease apart how society and Facebook became entangled in our dystopian dance.” The narrative is overlong, but Haugen’s point that “the vast majority of people do not understand how to use data” is well taken and worth reiterating.
A solid argument for steering well clear of the social media behemoths.Pub Date: June 13, 2023
ISBN: 9780316475228
Page Count: 352
Publisher: Little, Brown
Review Posted Online: May 9, 2023
Kirkus Reviews Issue: June 1, 2023
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.
A coffee-table book celebrates Michelle Obama’s sense of fashion.
Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.Pub Date: Nov. 4, 2025
ISBN: 9780593800706
Page Count: 304
Publisher: Crown
Review Posted Online: Nov. 7, 2025
Kirkus Reviews Issue: Jan. 1, 2026
SEEN & HEARD
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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