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UNDER MAGNOLIA

A SOUTHERN MEMOIR

One of those books you want to devour but realize it’s more satisfying to savor for as long as possible.

A captivating memoir by Mayes (Every Day in Tuscany: Seasons of an Italian Life, 2010, etc.) recalling life growing up in a small Southern town and how the region permeated her psyche.

Though the author fled southern Georgia when she was a young woman seeking an alternative vantage point for experiencing life, the departure from her small hometown did not come without internal turmoil. “When I left the South at age twenty-two, the force that pushed me west was as powerful as the magnet that pulled me,” she writes. The author landed in the San Francisco Bay Area, “the optimistic bellwether for the country,” and called Italy home for a time. Eventually, Mayes built a life as a wife, mother, author and teacher. During a stop in Mississippi, the South once again forcefully insinuated itself into the author’s consciousness: “I’m pressed to know: why the exuberance and melancholy attacked me, why the abrupt heart flips, why the primal rush of memory, why this physical magnetism that feels dangerous….” Mayes and her husband then departed California for North Carolina. Larded with deliciously evocative sensory memories, the narrative dissects the author’s early years growing up in a loving yet turbulent family; her parents’ alcohol-fueled, long-troubled relationship; the verdant landscape dappled with hints of menace; the notion of home; and the role place plays in developing the psyche. Mayes recounts her childhood when she “didn’t know the word ‘racism.’ Black/white polarity was the God-given order of things.” She finds it “impossible to relive that state of mind.” Mayes recalls how the restrictive social atmosphere at the all-female college she attended chafed yet also provided space for developing a strong core self and lifelong female friendships. The author also captures the trauma of her father’s premature death followed by her mother’s long, sad decline.

One of those books you want to devour but realize it’s more satisfying to savor for as long as possible.

Pub Date: April 1, 2014

ISBN: 978-0-307-88591-3

Page Count: 336

Publisher: Crown

Review Posted Online: March 4, 2014

Kirkus Reviews Issue: March 15, 2014

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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