Sam is saddled with a rutabaga as his vegetable for the next two weeks in second-grade science.
Sam doesn’t like any kind of vegetable, but once he sees his rutabaga—“the size of a softball”; “round, but not perfectly round”; half purple and half “dirty yellow”; and with “a weird brown thing sticking out of the top like a little tree stump”—he is sure he’s got the worst. How is he supposed to write a letter from the rutabaga’s perspective? Drawing a smiley face on it helps, as does naming it. All of a sudden Sam becomes deeply protective of Rudy. How can he make Rudy happy? Well, as his elderly friend and walking companion, Mr. Stockfish, tells him, rutabagas grow underground, so Rudy must want some nice dirt. Thus is born Sam’s plan to collect neighbors’ food scraps and make a compost pile in Mrs. Kerner’s backyard, where he boards his chicken, Helga. While this outing is not as obviously purposive as series opener Sam the Man & the Chicken Plan (2016), it is equally appealing. Sam’s simultaneous awareness that Rudy is not alive and deepening investment in Rudy’s well-being are developmentally spot-on. Dowell’s characterizations are deft, accomplished in small but telling details. Sam is white, as is Mrs. Kerner, and Mr. Stockfish is black; the romance developing between the latter two is a quiet delight.
Readers will be happy to spend time with Sam the Man . (Fiction. 6-9)Pub Date: Feb. 14, 2017
ISBN: 978-1-4814-4069-1
Page Count: 128
Publisher: Atheneum
Review Posted Online: Dec. 26, 2016
Kirkus Reviews Issue: Jan. 15, 2017
Categories: CHILDREN'S SOCIAL THEMES | CHILDREN'S SCIENCE & TECHNOLOGY
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BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Gerald the elephant learns a truth familiar to every preschooler—heck, every human: “Waiting is not easy!”
When Piggie cartwheels up to Gerald announcing that she has a surprise for him, Gerald is less than pleased to learn that the “surprise is a surprise.” Gerald pumps Piggie for information (it’s big, it’s pretty, and they can share it), but Piggie holds fast on this basic principle: Gerald will have to wait. Gerald lets out an almighty “GROAN!” Variations on this basic exchange occur throughout the day; Gerald pleads, Piggie insists they must wait; Gerald groans. As the day turns to twilight (signaled by the backgrounds that darken from mauve to gray to charcoal), Gerald gets grumpy. “WE HAVE WASTED THE WHOLE DAY!…And for WHAT!?” Piggie then gestures up to the Milky Way, which an awed Gerald acknowledges “was worth the wait.” Willems relies even more than usual on the slightest of changes in posture, layout and typography, as two waiting figures can’t help but be pretty static. At one point, Piggie assumes the lotus position, infuriating Gerald. Most amusingly, Gerald’s elephantine groans assume weighty physicality in spread-filling speech bubbles that knock Piggie to the ground. And the spectacular, photo-collaged images of the Milky Way that dwarf the two friends makes it clear that it was indeed worth the wait.
A lesson that never grows old, enacted with verve by two favorite friends . (Early reader. 6-8)Pub Date: Nov. 4, 2014
ISBN: 978-1-4231-9957-1
Page Count: 64
Publisher: Hyperion
Review Posted Online: Nov. 5, 2014
Kirkus Reviews Issue: Nov. 15, 2014
Categories: CHILDREN'S ANIMALS | CHILDREN'S SOCIAL THEMES
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BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A supposed “has-bean” shows that coolness has more to do with deeds than demeanor.
Offering further moral instruction in this leguminous cousin to The Bad Seed (2017) and The Good Egg (2019), Oswald portrays three beans—each a different species but all sporting boss shades, fly threads, and that requisite air of nonchalance—bringing the cool to streets, hallways, playgrounds, and Leguma Beach. Meanwhile, a fourth (a scraggly-haired chickpea), whose efforts to echo the look and the ’tude have fallen flat, takes on the role of nerdy narrator to recall “olden days” when they all hung out in the same pod. Still, despite rolling separate ways (nobody’s fault: “That’s just how it is sometimes. You spend less time together, even though you’re not totally sure why”), when the uncool bean drops a lunch tray, skins a kid knee on the playground, or just needs a hint in class, one of the others is always on the scene toot suite. No biggie. And passing those casual acts of kindness forward? “Now that’s cool.” John’s good-hearted text makes some hay with the bean puns while Oswald’s pipe-stemmed limbs, googly eyes, and accessories give these anthropomorphic legumes lots of personality. As a fava to young audiences, pair with Jamie Michalak and Frank Kolar’s Frank and Bean (2019) for a musical combination.
Cool beans indeed. (Picture book. 6-9)Pub Date: Dec. 3, 2019
ISBN: 978-0-06-295452-7
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: Oct. 23, 2019
Kirkus Reviews Issue: Nov. 15, 2019
Categories: CHILDREN'S SOCIAL THEMES
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