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HOW TO SURVIVE THE TITANIC

OR, THE SINKING OF J. BRUCE ISMAY

An up-and-down history of an intriguing figure.

Wilson (The Ballad of Dorothy Wordsworth, 2009) tells the story of the Titanic’s polarizing owner, who was aboard the vessel and survived its fatal 1912 collision with an iceberg.

The author demonstrates an impressive knowledge of that night to remember. She reminds us of the ship’s enormous size, its “unsinkable” reputation, its insufficiencies (not nearly enough lifeboats) and its principal function: to transport emigrants, who composed the large majority of the passengers. But her focus is the ship’s laconic owner, J. Bruce Ismay, who found a spot on one of the last lifeboats to leave the stricken vessel. (He later claimed, with some eyewitnesses’ substantiation, that no one else was around; a seat was open so he took it.) Many later reviled him, believing he should have chosen to perish with those left behind. Throughout, Wilson relies heavily not just on the documentary evidence—there were official hearings on both sides of the Atlantic; she summarizes both in detail—but on her literary training and interest. Allusions to literature abound—Moby-Dick, "The Rime of the Ancient Mariner," Frankenstein, Charles Dickens, Alice in Wonderland, Virginia Woolf (who attended some of the hearings in England), E.M. Forester and, most significantly, Joseph Conrad and his Lord Jim, a novel whose plot parallels in striking fashion the story of Ismay. At times, Wilson loses herself in Conrad, and one chunky section of her text resembles nothing so much as an essay by an earnest grad student of Modern British Literature. Literary analogies can be arresting, but the author’s tour of Conrad is excessive and distracting. Far better are the sections where she mines Ismay’s pathetic letters, the numerous newspaper accounts and the survivors’ testimony.

An up-and-down history of an intriguing figure.

Pub Date: Oct. 11, 2011

ISBN: 978-0-06-209454-4

Page Count: 352

Publisher: Harper/HarperCollins

Review Posted Online: July 26, 2011

Kirkus Reviews Issue: Aug. 15, 2011

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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