A fascinating, sometimes bumpy ride through the more grotesque regions of literary experience, for lovers of the half-rhyme...
English critic Wilson's study of several notoriously intense couplings shows how certain literary obsessions—assimilating the world through reading, sustaining oneself through writing—become interchangeable with heterosexual passion.
Perhaps the most famous example of literary seduction, that of Robert Browning by Elizabeth Barrett, stands in Wilson's introduction for the kind of relationship she is not investigating. Although it offers a very clear case of a passion for someone's writing can be transferred to the author's self, the Barrett-Browning affair resolved itself into something too fully personal to illustrate the kind of conflation of literary with physical engagement that Wilson has in mind. Instead, her model case is the far stormier relation between Byron and Caroline Lamb. Psychoanalysis and the mythic preoccupations of literary Modernism provide the background for the entwining narcissisms of Anaïs Nin and Henry Miller, as well as for the mutually devouring ideals of Robert Graves and Laura Riding. The chapter on Osip and Nadezhda Mandelstam considers these drives in the very different climate of totalitarian political repression, where the very literal struggle between artistic power and physical force compelled poets to become their poems, and readers to become their sarcophagi. A final note on Yeats finds a rather unexpected opposition between the spiritual appeal of compulsive writing and obsessive romanticism. Although Wilson is not addressing an academic audience, she occasionally presumes on a wider literary culture than should be expected of a general reader; conscientious editing would have yielded more straightforward exposition and textual examples, and some needed brevity. Her arguments are, nevertheless, passionate and absorbing, and the overall aim to infuse the acts of reading and writing with a sense of mystery and urgency is laudable.
A fascinating, sometimes bumpy ride through the more grotesque regions of literary experience, for lovers of the half-rhyme between books and sex.Pub Date: July 1, 2000
ISBN: 0-312-26193-4
Page Count: 256
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2000
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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