Unfortunately, the worthy message is overshadowed by its single-minded, intense delivery, which feels more like propaganda...

THE OGRESS

A heavy-handed allegorical tale about consumerism, fair trade and social conscience.

Gluttonous and hedonistic Princess Occidiane is fat, selfish, demanding and completely unaware of what her piggishness costs others. Eventually, her appetite devours most of the planet’s resources, which wreaks serious economic and environmental havoc. What to do? A page appears with three “buttons,” which each leads to a different solution—and thus there’s a trio of different endings to the story. All three outcomes offer some scathing social commentary. It appears that Occidiane represents the ugly face of Western consumerism, things like entitlement, greed, oppression and ecological irresponsibility. Fair enough. But the story fails to offer anything but binary characters—perpetrator/victim, entitled/disadvantaged, consumers/laborers—and as such, it comes across as didactic and reductionist, even disparaging. Interactive features are plentiful but simple. Certain words or phrases function as “hyperlinks” that animate and/or advance the story, and some of the lovely illustrations also produce additional images when tapped. The magical background music—Saint Saëns’ “The Aquarium”—can be switched on or off, but narration (in French or English) is a page-by-page decision. This storybook app is technologically solid, and it brings up some important issues that kids would do well to contemplate and discuss as they develop social consciences.

Unfortunately, the worthy message is overshadowed by its single-minded, intense delivery, which feels more like propaganda than storytelling. (iPad storybook app. 6-10)

Pub Date: Sept. 9, 2012

ISBN: N/A

Page Count: -

Publisher: La Souris Qui Raconte

Review Posted Online: Oct. 10, 2012

Kirkus Reviews Issue: Nov. 1, 2012

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More trampling in the vineyards of the Literary Classics section, with results that will tickle fancies high and low.

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DOG MAN AND CAT KID

From the Dog Man series , Vol. 4

Recasting Dog Man and his feline ward, Li’l Petey, as costumed superheroes, Pilkey looks East of Eden in this follow-up to Tale of Two Kitties (2017).

The Steinbeck novel’s Cain/Abel motif gets some play here, as Petey, “world’s evilest cat” and cloned Li’l Petey’s original, tries assiduously to tempt his angelic counterpart over to the dark side only to be met, ultimately at least, by Li’l Petey’s “Thou mayest.” (There are also occasional direct quotes from the novel.) But inner struggles between good and evil assume distinctly subordinate roles to riotous outer ones, as Petey repurposes robots built for a movie about the exploits of Dog Man—“the thinking man’s Rin Tin Tin”—while leading a general rush to the studio’s costume department for appropriate good guy/bad guy outfits in preparation for the climactic battle. During said battle and along the way Pilkey tucks in multiple Flip-O-Rama inserts as well as general gags. He lists no fewer than nine ways to ask “who cut the cheese?” and includes both punny chapter titles (“The Bark Knight Rises”) and nods to Hamilton and Mary Poppins. The cartoon art, neatly and brightly colored by Garibaldi, is both as easy to read as the snappy dialogue and properly endowed with outsized sound effects, figures displaying a range of skin colors, and glimpses of underwear (even on robots).

More trampling in the vineyards of the Literary Classics section, with results that will tickle fancies high and low. (drawing instructions) (Graphic fantasy. 7-10)

Pub Date: Dec. 26, 2017

ISBN: 978-0-545-93518-0

Page Count: 256

Publisher: Graphix/Scholastic

Review Posted Online: May 14, 2018

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What a wag.

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DOG MAN

From the Dog Man series , Vol. 1

What do you get from sewing the head of a smart dog onto the body of a tough police officer? A new superhero from the incorrigible creator of Captain Underpants.

Finding a stack of old Dog Man comics that got them in trouble back in first grade, George and Harold decide to craft a set of new(ish) adventures with (more or less) improved art and spelling. These begin with an origin tale (“A Hero Is Unleashed”), go on to a fiendish attempt to replace the chief of police with a “Robo Chief” and then a temporarily successful scheme to make everyone stupid by erasing all the words from every book (“Book ’Em, Dog Man”), and finish off with a sort of attempted alien invasion evocatively titled “Weenie Wars: The Franks Awaken.” In each, Dog Man squares off against baddies (including superinventor/archnemesis Petey the cat) and saves the day with a clever notion. With occasional pauses for Flip-O-Rama featurettes, the tales are all framed in brightly colored sequential panels with hand-lettered dialogue (“How do you feel, old friend?” “Ruff!”) and narrative. The figures are studiously diverse, with police officers of both genders on view and George, the chief, and several other members of the supporting cast colored in various shades of brown. Pilkey closes as customary with drawing exercises, plus a promise that the canine crusader will be further unleashed in a sequel.

What a wag. (Graphic fantasy. 7-9)

Pub Date: Aug. 30, 2016

ISBN: 978-0-545-58160-8

Page Count: 240

Publisher: Graphix/Scholastic

Review Posted Online: June 1, 2016

Kirkus Reviews Issue: June 15, 2016

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