Intellectual, playful prose cannot save this vampire epic from soaking too long in a broth of Rice and Meyer.

I, MARCUS

GOD OF ALL THE VAMPIRE ROYALS

Vampiric gods, wolves and human frailty round out Koppenhagen’s story of timeless love.

Marcus is a member of a very exclusive vampire fraternity and parlays his once-boring existence into an adventurous tale that bounds continents and defies the laws of nature—all in the name of true love. Marcus, who has the ability to bend others to his 6,000-year-old will and even change their very thoughts, discovers that not even the allure of immortality can hold a light to the power of the heart. Vampire romance, werewolves, a dangerous pregnancy, high-seas antics and more fill the pages of this lengthy tome. Fans of vampire literature, who are legion, will tread common territory in Koppenhagen’s novel. Well-plotted and richly crafted, the novel explores the immortal life of a vampire in great detail but with little in originality, save for the history of the vampires themselves. Too often the tale is simply too familiar. Anne Rice fans will find similarities to her seminal Vampire Chronicles series starring the vampire Lestat. More recently, however, Rice's enduring series has been overshadowed by the Twilight series penned by Stephenie Meyer. Koppenhagen’s story contains strong elements of both series, if not mirror images in some cases. Most striking is Koppenhagen’s use of Washington state's Forks and La Push in the novel, locales that feature heavily in Meyer's young-adult novels. Vampire flesh that glitters like diamonds in direct sunlight, the Hooded Claw or “Vulturos,” which sound quite similar to the super-powered “Vulturi” in Meyer's work, have been done before, though the author does add an ingenious twist to the “Push” portion of the name. Unrequited love, a common theme in Gothic fiction, runs like a well-tuned engine under Koppenhagen’s deft guidance. Lacking, however, is a vehicle made from a fresh, impressive idea.

Intellectual, playful prose cannot save this vampire epic from soaking too long in a broth of Rice and Meyer.

Pub Date: May 20, 2011

ISBN: 978-1461158868

Page Count: 550

Publisher: CreateSpace

Review Posted Online: Jan. 12, 2012

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Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

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IT ENDS WITH US

Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 31, 2016

Kirkus Reviews Issue: June 15, 2016

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A clever, romantic, sexy love story.

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RED, WHITE & ROYAL BLUE

The much-loved royal romance genre gets a fun and refreshing update in McQuiston’s debut.

Alex Claremont-Diaz, son of the American President Ellen Claremont, knows one thing for sure: He hates Henry, the British prince to whom he is always compared. He lives for their verbal sparring matches, but when one of their fights at a royal wedding goes a bit too far, they end up falling into a wedding cake and making tabloid headlines. An international scandal could ruin Alex’s mother’s chances for re-election, so it’s time for damage control. The plan? Alex and Henry must pretend to be best friends, giving the tabloids pictures of their bromance and neutralizing the threat to Ellen's presidency. But after a few photo ops with Henry, Alex starts to realize that the passionate anger he feels toward him might be a cover for regular old passion. There are, naturally, a million roadblocks between their first kiss and their happily-ever-after—how can American political royalty and actual British royalty ever be together? How can they navigate being open about their sexualities (Alex is bisexual; Henry is gay) in their very public and very scrutinized roles? Alex and Henry must decide if they’ll risk their futures, their families, and their careers to take a chance on happiness. Although the story’s premise might be a fantasy—it takes place in a world in which a divorced-mom Texan Democrat won the 2016 election—the emotions are all real. The love affair between Alex and Henry is intense and romantic, made all the more so by the inclusion of their poetic emails that manage to be both funny and steamy. McQuiston’s strength is in dialogue; her characters speak in hilarious rapid-fire bursts with plenty of “likes,” “ums,” creative punctuation, and pop-culture references, sounding like smarter, funnier versions of real people. Although Alex and Henry’s relationship is the heart of the story, their friends and family members are all rich, well-drawn characters, and their respective worlds feel both realistic and larger-than-life.

A clever, romantic, sexy love story.

Pub Date: June 4, 2019

ISBN: 978-1-250-31677-6

Page Count: 432

Publisher: St. Martin's Griffin

Review Posted Online: March 4, 2019

Kirkus Reviews Issue: March 15, 2019

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