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KARL MARX

A LIFE

Respectful yet non-hagiographic, Wheen’s life of Marx deserves a wide readership.

Superb life of the thinker who, for better or worse, molded the 20th century.

Marx once proclaimed, famously, that he was not a Marxist. If pressed, British journalist Wheen would probably claim Marxist credentials—if of a distinctly irreverent stripe. (For example, his extraordinarily well-conceived biography of communism’s guiding light is probably the first to press the comedy troupe Monty Python into exegetical service.) Wheen’s satirical edge does not, however, make his study any less serious; it is as well-documented as Isaiah Berlin’s 1963 biography—and certainly more interesting to read. Marx, Wheen allows, was a paradoxical sort: a Jew who disavowed Judaism; an ardent moralist who fathered an illegitimate child by a servant; a communist firebrand who lived well beyond his means and aggressively mooched off well-to-do acquaintances (especially his forbearing colleague Friedrich Engels). But Marx was also fearless, unafraid of a good fight, and accustomed to a life in which “grubby police spies from Prussia lurked all too conspicuously outside, keeping note of the comings and goings, while irate butchers and bakers and bailiffs hammered on the door.” Wheen makes a number of useful revisions to the historical record; whereas many biographers paint Marx’s relationship with the Russian anarchist Mikhail Bakunin as a bitter and hateful rivalry, Wheen documents that the two were friendly in person and borrowed liberally from one another’s store of ideas. Engels emerges from the record, too, with his reputation restored: in Wheen’s pages he is not the toady of other biographies, but a critical and thoughtful—if sometimes beery—participant in the shaping of Marx’s thought. Wheen takes vigorous issue with those “countless wiseacres” who, on one hand declare that Marx’s thought leads directly to the Gulag and, on the other, hold that Marx’s ideas are irrelevant to the modern, post–Cold War world. Neither view, Wheen holds, is correct—and neither is useful to reckoning the extent of Marx’s role in making the world in which we live.

Respectful yet non-hagiographic, Wheen’s life of Marx deserves a wide readership.

Pub Date: May 1, 2000

ISBN: 0-393-04923-X

Page Count: 448

Publisher: Norton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2000

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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