A well-crafted ode to what one can learn from one’s teenage years.
In Delgado’s novella, a father recalls the senior year that shaped him.
In the early days of the Covid-19 pandemic in 2020, Cody Taitano’s son uncovers an old, battered CD of Pinkerton(1996) by the rock band Weezer, which, for Cody, stirs memories of events from more than 20 years before. He feels driven to write about them because he realizes that, as time has gone on, he’s “lost track of time and of what friendship means.” His desire for what once was carries him back to 1999, in the sleepy upstate New York town of Canandaigua. At the center of the recollection is an account of Cody’s developing identity. He comes from an Indigenous Chamorro family from Guam, and he’s one of only a few kids of color at his high school; people frequently mispronounce his name, and he often feels misunderstood. Familiar coming-of-age tropes unfold, involving fast-food shifts, first dates, and the widening generation gap. James, Cody’s best friend who teaches him confidence, grounds his sense of self, as does Cody’s love interest, Nicole, who’s also misunderstood by others. At times, the novella recalls nostalgic works like the 1986 film Stand by Me (itself based on a 1982 novella by Stephen King), but Cody’s experience is seen through the lenses of race and class—most visibly in his encounters with storekeepers, guidance counselors, and, most frighteningly, the police. The author effortlessly showcases themes of teenage angst, connection, and societal isolation in his prose: “My silence was all Dad needed as proof that he was right. He left me in the living room without saying a word, which was how a lot of our conversations ended back then.” Ultimately, Delgado’s most brilliant move is showing how high school ties naturally fade away, rather than break.
A well-crafted ode to what one can learn from one’s teenage years.Pub Date: July 8, 2025
ISBN: 9781680034189
Page Count: 120
Publisher: N/A
Review Posted Online: May 21, 2026
Review Program: Kirkus Indie
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
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