An astonishingly ambitious first novel from Mexican writer and former scientist Rebolledo, winner of the Mobil Corporation's 15th annual Pegasus Prize for Literature. It's the story, set in 18th-century Europe (mainly Paris) and Mexicoand, in part, in the futureof the varied education enjoyed and suffered by Fausto Rasero, an intellectually curious young Spaniard, mysteriously bald since birth, whose innate sophistication and unconventional magnetism bring him into intriguingly close contact with many of the great figures of the Enlightenment. Fausto is befriended by Diderot but modestly declines to write an introduction for the EncyclopÇdie. He becomes an intimate of Voltaire's. He hears the moppet prodigy Mozart play. A climax of sorts is reached when Fausto debates political theory with Robespierre, Rousseau, and Danton, among others, just before the Revolution drives him out of Paris. Other climaxes occur during Fausto's lovemaking, in whichin an amusing lift from Pynchon's Gravity's Rainbowhis orgasms (with Madame de Pompadour, among many, many others) trigger visions of violence and carnage that we recognize as genocidal refinements achieved by modern warfarers, and from which Fausto concludes: ``Human inventiveness is inexhaustible. We can do anything we want to.'' That seems to be the aesthetic that powers Rasero, an imposing omnium-gatherum that vibrates with energy and purpose despite its longueurs. They are unfortunately many: a plethora of just barely dramatized theoretical chemistry and Newtonian physics, for example, and a gratingly redundant succession of sex scenes all but indistinguishable one from the other. Nonetheless, the novel teems with witty conversation and vigorous incident and is further buoyed by such pleasures as Rebolledo's ingenious characterization of Voltaire as a mysterious hybrid compounded of paranoia, moral courage, hypochondria, and indomitable vitality. An exhilarating, frustrating mixture of originality and regurgitated arcana. It's filled with quaint and curious lore, steam-powered conveyances, and state-of-the-art engines of destruction, but it smells of the lamp.
Pub Date: Oct. 25, 1995
ISBN: 0-8071-2004-9
Page Count: 552
Publisher: Louisiana State Univ.
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1995
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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