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RASERO

An astonishingly ambitious first novel from Mexican writer and former scientist Rebolledo, winner of the Mobil Corporation's 15th annual Pegasus Prize for Literature. It's the story, set in 18th-century Europe (mainly Paris) and Mexicoand, in part, in the futureof the varied education enjoyed and suffered by Fausto Rasero, an intellectually curious young Spaniard, mysteriously bald since birth, whose innate sophistication and unconventional magnetism bring him into intriguingly close contact with many of the great figures of the Enlightenment. Fausto is befriended by Diderot but modestly declines to write an introduction for the EncyclopÇdie. He becomes an intimate of Voltaire's. He hears the moppet prodigy Mozart play. A climax of sorts is reached when Fausto debates political theory with Robespierre, Rousseau, and Danton, among others, just before the Revolution drives him out of Paris. Other climaxes occur during Fausto's lovemaking, in whichin an amusing lift from Pynchon's Gravity's Rainbowhis orgasms (with Madame de Pompadour, among many, many others) trigger visions of violence and carnage that we recognize as genocidal refinements achieved by modern warfarers, and from which Fausto concludes: ``Human inventiveness is inexhaustible. We can do anything we want to.'' That seems to be the aesthetic that powers Rasero, an imposing omnium-gatherum that vibrates with energy and purpose despite its longueurs. They are unfortunately many: a plethora of just barely dramatized theoretical chemistry and Newtonian physics, for example, and a gratingly redundant succession of sex scenes all but indistinguishable one from the other. Nonetheless, the novel teems with witty conversation and vigorous incident and is further buoyed by such pleasures as Rebolledo's ingenious characterization of Voltaire as a mysterious hybrid compounded of paranoia, moral courage, hypochondria, and indomitable vitality. An exhilarating, frustrating mixture of originality and regurgitated arcana. It's filled with quaint and curious lore, steam-powered conveyances, and state-of-the-art engines of destruction, but it smells of the lamp.

Pub Date: Oct. 25, 1995

ISBN: 0-8071-2004-9

Page Count: 552

Publisher: Louisiana State Univ.

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1995

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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