THE DAILY COMET

BOY SAVES EARTH FROM GIANT OCTOPUS!

“Go to Work with a Parent” Day proves an eye-opening experience for a journalist’s fact-loving son in this distinctively illustrated venture from the creators of Mrs. Marlowe’s Mice (2007). Hayward’s contemptuous conviction that his Dad works for a total rag takes increasingly hard hits after his parent is pulled off a Flying Spaghetti Monster assignment to cover a hatching dinosaur egg at the museum, then a report of a ten-foot-tall chicken dashing across Times Square and finally a giant cup-and-saucer that lands in Central Park to disgorge a huge robot octopus. Thanks to a found bottle of super solvent that dissolves the monster into a puddle of "nutritious green liquid," Hayward saves New York and earns a screaming headline (see title). Sepia-toned with highlights in pale green and yellow, Asch fils’s full-spread multilayered collages of heavily reworked photos and photorealistic elements hark back to the better-budgeted monster flicks of yestercentury and feature a cab-driving werewolf and a photographer who looks like Elvis, among other cameos. A pleaser for fans of Adam Rex’s Frankenstein Makes a Sandwich (2006) and like cineastic fare. (Picture book. 7-10)

Pub Date: Sept. 1, 2010

ISBN: 978-1-55453-281-0

Page Count: 32

Publisher: Kids Can

Review Posted Online: July 15, 2010

Kirkus Reviews Issue: Aug. 1, 2010

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Both cozy and inspiring, this eco-fable conveys both grim truths and a defiant call to action.

THE SILVER ARROW

The best birthday present is a magical train full of talking animals—and a new job.

On Kate’s 11th birthday, she’s surprised by the arrival of rich Uncle Herbert. Uncle Herbert bears a gift: a train. Not a toy train, a 102.36-ton steam engine, with cars that come later. When Kate and her brother, Tom, both white, play in the cab of the Silver Arrow, the train starts up, zooming to a platform packed with animals holding tickets. Thus begins Kate and Tom’s hard work: They learn to conduct the train and feed the fire box, instructed by the Silver Arrow, which speaks via printed paper tape. The Silver Arrow is a glorious playground: The library car is chockablock with books while the candy car is brimful of gobstoppers and gummy bears. But amid the excitement of whistle-blowing and train conducting, Kate and Tom learn quiet messages from their animal friends. Some species, like gray squirrels and starlings, are “invaders.” The too-thin polar bear’s train platform has melted, leaving it almost drowned. Their new calling is more than just feeding the coal box—they need to find a new balance in a damaged world. “Feeling guilty doesn’t help anything,” the mamba tells them. Humans have survived so effectively they’ve taken over the world; now, he says, “you just have to take care of it.” (Illustrations not seen.)

Both cozy and inspiring, this eco-fable conveys both grim truths and a defiant call to action. (Fantasy. 8-10)

Pub Date: Sept. 1, 2020

ISBN: 978-0-316-53953-1

Page Count: 256

Publisher: Little, Brown

Review Posted Online: June 30, 2020

Kirkus Reviews Issue: July 15, 2020

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A decent start to a silly sci-fi series.

ALIEN SUPERSTAR

From the Alien Superstar series , Vol. 1

An extraterrestrial teen refugee becomes a Hollywood star.

Citizen Short Nose, a 13-year-old, blue-skinned, six-eyed, bipedal ET, has left his home world in an effort to escape the authoritarian forces that reign there. The teen runaway lands his spacecraft in the middle of Universal Studios and easily blends in among the tourists and actors in movie costumes. Citizen Short Nose quickly changes his name to Buddy C. Burger and befriends Luis Rivera, an 18-year-old Latinx actor who moonlights as Frankenstein on the Universal lot. Inspired to be an actor by his grandmother Wrinkle’s love of Earth culture, Buddy lands a gig on Oddball Academy, playing (of course) an alien from another world. On set, Buddy befriends Cassidy Cambridge, the brown-skinned teen star of the show. Buddy balances keeping his true identity secret (everyone just assumes he’s wearing an alien costume) with becoming an overnight sensation. The book is efficiently written, moving the story forward so quickly that readers won’t have time to think too hard about the bizarre circumstances necessary for the whole thing to work. This series opener’s big problem is the ending: The story just stops. Characters are established and plot mechanics are put together, but the book basically trusts readers to show up for the next installment. Those enamored with Hollywood gags and sci-fi plot boiling will probably be engaged enough to do so.

A decent start to a silly sci-fi series. (Science fiction. 8-10)

Pub Date: Oct. 1, 2019

ISBN: 978-1-4197-3369-7

Page Count: 264

Publisher: Amulet/Abrams

Review Posted Online: Aug. 12, 2019

Kirkus Reviews Issue: Sept. 1, 2019

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