by Frank Asch & illustrated by Vladimir Vagin ‧ RELEASE DATE: March 1, 1993
An original tale about a fairy captured and displayed as a trophy by an armor-clad emperor, who refuses to release his prize even when all the flowers in the kingdom die and his people are threatened with famine. The emperor is moved by neither rumors of rebellion nor his sensitive son's pleading; nonetheless, after the boy secretly rescues the magical creature, prosperity returns and amity is restored between father and son, as well as between ruler and subjects. Though Vagin's palette of green, blue, and magenta is distinctly contemporary, his illustrations seem to have been inspired by Italian quattrocento paintings. Pretty to look at, with a somewhat nebulous but well-intentioned message about respect for nature: a sugarplum of a book. (Picture book. 6-10)
Pub Date: March 1, 1993
ISBN: 0-590-45493-5
Page Count: 32
Publisher: Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1993
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by Frank Asch ; illustrated by Frank Asch
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by Frank Asch ; illustrated by Frank Asch
adapted by Rachel Isadora & illustrated by Rachel Isadora ‧ RELEASE DATE: Oct. 1, 2008
Rapunzel, Rapunzel, let down your dreads! Isadora once again plies her hand using colorful, textured collages to depict her fourth fairy tale relocated to Africa. The narrative follows the basic story line: Taken by an evil sorceress at birth, Rapunzel is imprisoned in a tower; Rapunzel and the prince “get married” in the tower and she gets pregnant. The sorceress cuts off Rapunzel’s hair and tricks the prince, who throws himself from the tower and is blinded by thorns. The terse ending states: “The prince led Rapunzel and their twins to his kingdom, where they were received with great joy and lived happily every after.” Facial features, clothing, dreadlocks, vultures and the prince riding a zebra convey a generic African setting, but at times, the mixture of patterns and textures obfuscates the scenes. The textile and grain characteristic of the hewn art lacks the elegant romance of Zelinksy’s Caldecott version. Not a first purchase, but useful in comparing renditions to incorporate a multicultural aspect. (Picture book/fairy tale. 6-8)
Pub Date: Oct. 1, 2008
ISBN: 978-0-399-24772-9
Page Count: 32
Publisher: Putnam
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Sept. 1, 2008
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by Rachel Isadora ; illustrated by Rachel Isadora
by Pat Mora & illustrated by Raúl Colón ‧ RELEASE DATE: Aug. 1, 1997
A charming, true story about the encounter between the boy who would become chancellor at the University of California at Riverside and a librarian in Iowa. Tom†s Rivera, child of migrant laborers, picks crops in Iowa in the summer and Texas in the winter, traveling from place to place in a worn old car. When he is not helping in the fields, Tom†s likes to hear Papa Grande's stories, which he knows by heart. Papa Grande sends him to the library downtown for new stories, but Tom†s finds the building intimidating. The librarian welcomes him, inviting him in for a cool drink of water and a book. Tom†s reads until the library closes, and leaves with books checked out on the librarian's own card. For the rest of the summer, he shares books and stories with his family, and teaches the librarian some Spanish. At the end of the season, there are big hugs and a gift exchange: sweet bread from Tom†s's mother and a shiny new book from the librarianto keep. Col¢n's dreamy illustrations capture the brief friendship and its life-altering effects in soft earth tones, using round sculptured shapes that often depict the boy right in the middle of whatever story realm he's entered. (Picture book. 7-10)
Pub Date: Aug. 1, 1997
ISBN: 0-679-80401-3
Page Count: 32
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1997
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by Pat Mora ; illustrated by Amber Alvarez
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by Pat Mora ; illustrated by Alyssa Bermudez
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by Pat Mora ; illustrated by Raúl Colón
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