by Frank Bardessono ‧ RELEASE DATE: March 1, 2014
An intriguing novel about how emotional problems can serve as opportunities for growth.
Awards & Accolades
Our Verdict
GET IT
A harrowing sequel to the acclaimed The Kindness of Ravens (2012) that features a cast of broken, despairing characters.
Three years after the events of the previous novel, antihero Daren has recovered from substance abuse and addiction and is now ready to save others. Through his work as a counselor at the Santa Crisca Residential Institute for the Developmentally Disabled, he meets devastating victims of abuse and bad luck. His unit is comprised of six teenagers who share an array of emotional disabilities. It’s a troubling caseload, but Daren calls upon his own losses and insights and manages to navigate their problems effectively. However, as he gets to know the staff members at the institute—Heather, Alex, Janet, Rebecca and Casey—their struggles soon consume him. As their compulsions, secrets and complications escalate, and Daren pursues his own flirtation with Casey, he also forms a bond with the sharp-tongued Tara Martinez (described as “a raven, lost, wanton, a shaggy aristocrat of a lonely ward”), who’s a victim of intense neglect and abuse. Her at-risk behavior has her headed toward a desperate future unless Daren and the staff can intervene: “What I know is, if we don’t save her, nobody will,” Daren says. His determination to keep Tara safe blurs together with his own needs; when he helps others, he helps himself. Bardessono has a sharp eye for detail and characterization, and he offers an insightful, elegant tale of human behavior and suffering. Through his depiction of Daren’s sensitivity and self-awareness, the story emerges as a multilayered commentary on how society fails its derelicts as they struggle to achieve their own actualization. Daren’s patients and friends provide a colorful backdrop to his tale of redemption.
An intriguing novel about how emotional problems can serve as opportunities for growth.Pub Date: March 1, 2014
ISBN: 978-1493645831
Page Count: 338
Publisher: CreateSpace
Review Posted Online: May 15, 2014
Kirkus Reviews Issue: July 1, 2014
Review Program: Kirkus Indie
Share your opinion of this book
More by Frank Bardessono
BOOK REVIEW
by Margaret Atwood ‧ RELEASE DATE: Feb. 17, 1985
Tinny perhaps, but still a minutely rendered and impressively steady feminist vision of apocalypse.
Awards & Accolades
Likes
23
Google Rating
New York Times Bestseller
The time is the not-so-distant future, when the US's spiraling social freedoms have finally called down a reaction, an Iranian-style repressive "monotheocracy" calling itself the Republic of Gilead—a Bible-thumping, racist, capital-punishing, and misogynistic rule that would do away with pleasure altogether were it not for one thing: that the Gileadan women, pure and true (as opposed to all the nonbelieving women, those who've ever been adulterous or married more than once), are found rarely fertile.
Thus are drafted a whole class of "handmaids," whose function is to bear the children of the elite, to be fecund or else (else being certain death, sent out to be toxic-waste removers on outlying islands). The narrative frame for Atwood's dystopian vision is the hopeless private testimony of one of these surrogate mothers, Offred ("of" plus the name of her male protector). Lying cradled by the body of the barren wife, being meanwhile serviced by the husband, Offred's "ceremony" must be successful—if she does not want to join the ranks of the other disappeared (which include her mother, her husband—dead—and small daughter, all taken away during the years of revolt). One Of her only human conduits is a gradually developing affair with her master's chauffeur—something that's balanced more than offset, though, by the master's hypocritically un-Puritan use of her as a kind of B-girl at private parties held by the ruling men in a spirit of nostalgia and lust. This latter relationship, edging into real need (the master's), is very effectively done; it highlights the handmaid's (read Everywoman's) eternal exploitation, profane or sacred ("We are two-legged wombs, that's all: sacred vessels, ambulatory chalices"). Atwood, to her credit, creates a chillingly specific, imaginable night-mare. The book is short on characterization—this is Atwood, never a warm writer, at her steeliest—and long on cynicism—it's got none of the human credibility of a work such as Walker Percy's Love In The Ruins. But the scariness is visceral, a world that's like a dangerous and even fatal grid, an electrified fence.
Tinny perhaps, but still a minutely rendered and impressively steady feminist vision of apocalypse.Pub Date: Feb. 17, 1985
ISBN: 038549081X
Page Count: -
Publisher: Houghton Mifflin
Review Posted Online: Sept. 16, 2011
Kirkus Reviews Issue: Jan. 15, 1985
Share your opinion of this book
More by Margaret Atwood
BOOK REVIEW
BOOK REVIEW
edited by Margaret Atwood & Douglas Preston
BOOK REVIEW
More About This Book
SEEN & HEARD
BOOK TO SCREEN
by Chinua Achebe ‧ RELEASE DATE: Jan. 23, 1958
This book sings with the terrible silence of dead civilizations in which once there was valor.
Awards & Accolades
Likes
10
Our Verdict
GET IT
Google Rating
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
Share your opinion of this book
More by Chinua Achebe
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Trouble signing in? Retrieve credentials.
Welcome Back!
OR
Trouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.