A well-crafted, satisfying work of historical fiction, as are all of Delaney’s novels; respectful of the facts while not...
A rousing tale of forbidden love, civil war, horrible death and other things Irish.
Ireland-born novelist Delaney (Tipperary, 2007, etc.) never met a turning point in the Emerald Isle’s history that he didn’t like. With this entry in his ongoing epic cycle of novels, he turns to a big one: the bloody strife that accompanied the birth of the Irish Free State in 1922 and ’23. American priest Robert Shannon lands on Ireland’s shore just as the bullets start flying, and bad luck for him: A former chaplain serving with the U.S. Marines in France during World War I, he suffers from a textbook case of shell shock. That malady occasions a characteristically encyclopedic aside from Delaney, just as the book opens, on the etiology and management of posttraumatic stress—and readers who dislike didacticism should be warned that his narrative often pauses to break the fourth wall and explain what’s what: “One of the symptoms of their illness…is a morbid irritability—they tend to become upset and to take offense at the merest trifles—and this leads to trouble with the other patients, the nurses, and the medical officers responsible for discipline.” Morbid irritability being an Irish specialty, Shannon fits right in with the village folk he is called to serve, out in the country in which, the locals say, Saint Patrick himself was afraid to wander. Shannon restructures his shattered life while wandering in places where he’s not supposed to, including the arms of a widow lady—but it would be spoiling things to tell, save to note that Delaney explains, “In the Ireland of 1922, virginity dominated the lives of single women, and the relevant fire and brimstone rained down every Sunday from pulpits all over the country.” How this transgression resolves, and how Shannon manages to keep from cracking up in his war-torn adopted country, makes for a fine adventure in storytelling.
A well-crafted, satisfying work of historical fiction, as are all of Delaney’s novels; respectful of the facts while not cowed by them, and full of life.Pub Date: Feb. 10, 2009
ISBN: 978-1-4000-6525-7
Page Count: 432
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2008
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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