Mystery, history, and well-paced excitement in a fun read.
This third installment of a mystery series finds a couple crossing the Atlantic aboard the luxurious Isle de France, headed for Paris and a new set of murders and adventures.
It is June 16, 1929. Caroline Case and Hannibal Jones are now married, and the dynamic detectives have decided it is time to leave Chicago and the Al Capone–North Side Gang wars behind them for a while. They are enjoying dinner in a private, first-class dining room when they hear a commotion from the adjacent space. Sure enough, someone has been murdered. Seated at the head of a table, tilted in her chair, is the lifeless body of the wealthy, widowed Mrs. Rosemary Davin Pierpont. Naturally, Caroline and Hannibal are asked by Capt. Blancart to help solve the case. In between wining and dining in luxe style, as Caroline struggles with her fledgling knowledge of French, they successfully employ their superior interrogation skills and their mastery of surreptitiously obtaining the fingerprints of viable suspects. But this is just the first of their adventures. After arriving in Le Havre, they are approached by Capitaine Inspecteur Pierre Soucet, who requests their assistance in solving the brutal murder of a tourist. Their investigation, reflective of their years in Chicago, puts them in the crosshairs of Europe’s organized crime syndicates and France’s corrupt police officials. Caroline, the saucy, ebullient narrator of the novel, speaks to readers through her copious diary entries. Once again, Gertcher combines some solid, old-fashioned sleuthing with period history (including new social upheavals), photographic equipment developments, and comedy, plus a bucket full of acerbic asides. Then there are Caroline’s fabulously extravagant shopping forays into the salons of Paris’ famous designers. The unusual mixture is exemplified by a violent clash that takes place in the Chanel showroom between Caroline and the thugs trying to abduct the granddaughter of an Italian mob boss. Coco Chanel herself is on hand to serve tea during the cleanup. A humorous bonus for sartorially and gastronomically engaged readers is Caroline’s meticulous descriptions of her every wardrobe selection and meal.
Mystery, history, and well-paced excitement in a fun read.Pub Date: Oct. 20, 2021
ISBN: 978-1-73-514593-8
Page Count: 320
Publisher: Wind Grass Hill
Review Posted Online: June 2, 2021
Kirkus Reviews Issue: July 1, 2021
Review Program: Kirkus Indie
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
Mostly charming, sometimes twee, with some really lovely things to say about poetry.
And now for some lessons in poetry and typesetting.
After Lessons in Chemistry (2022), a debut that became one of the most popular books of recent years, Garmus applies her unique comic sensibility to the story of Batter Gray, a man named after a family dog of mythic talents. A poetry maven who was reading Auden as a fourth grader, he was raised by a type-designer mother and historian father who dearly hoped he would choose some more viable profession than poetry. But via an amazing stroke of luck, he lands a job after college at Peck & Peck, an illustrious literary journal located in a beautiful building in New York City. He’s at the very bottom of the complex and dysfunctional totem pole, making copies in the basement, struggling not to run afoul of the cantankerous editor-in-chief, Salton Peck, or his smarmy assistant, Dexter York, both of whom have taken an instant dislike to our hero (and can never get his name right. Few people can). And to be honest, Batter is not without his flaws. The novel bogs down a bit in the middle, with Salton constantly excoriating his staff in ALL CAPS and much ado over the possibility that submissions have been taken outside the building, which is forbidden. Along the way, many, many famous poets are name-checked, as are many typefaces, since Batter has been raised to instantly identify a font in the wild. The best example of this occurs during his brief sojourn in jail: “The thing I kind of admired about Motherfucker II, besides his manners, was this huge tattoo he had on his neck that read I will fuck you up in ITC Bolt. Call me my mother’s son, but whoever inked it nailed the kerning.” The narrative picks up steam toward the end, as bad guys become good guys, mysteries are solved, and Batter throws one hell of a party.
Mostly charming, sometimes twee, with some really lovely things to say about poetry.Pub Date: Oct. 13, 2026
ISBN: 9781668251065
Page Count: 432
Publisher: Scribner
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
BOOK REVIEW
PERSPECTIVES
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