A gorgeous near-memoir.
Beautifully rendered semi-autobiographical fiction that sheds light on a little-studied era in American cultural history.
In 1952, Louie comes to Chicago from rural Indiana to find a job in journalism. At least, that’s what he tells everyone he knows. He is really coming to the city to find Joey, a man he’d met and become romantically entangled with a few weeks earlier. Joey, it turns out, is Louie’s first lover, gay or straight, and the man who will “bring Louie out”–or give him his “debut”–on the 1950s urban gay scene. The rest of Holland’s excellent exploration of love and sexual identity chronicles the ups and downs of Joey and Louie’s fluctuating romantic relationship and tracks them as they decide to move in with and care for Joey’s ailing mother–all while developing a very plausible picture of pre-gay rights America. This notion of “bringing out” is one with which neither Louie nor Holland (it seems) is entirely comfortable, but it does provide a helpful foothold for a sustained discussion of homosexuality during the age of Eisenhower. An early draft of the book featured a simple string of vignettes, literary portraits of the gay men and women of Chicago in the 1950s. While the finished version follows a more traditional narrative arc, the almost ethnographic quality of the first version remains. Hence, Debut is not only the story of a life, but a valuable cross-section of gay culture in pre-Stonewall Chicago. Holland’s prose is admirably unpretentious, and he has a journalist’s eye for detail. He keeps a respectful distance from his characters and tells their stories–and his, for that matter–with objectivity and grace. This perfect balance allows him to avoid coming off as either hyperclinical or melodramatic. While the literary landscape of the book is home to more than a few eccentric figures, the author’s tact keeps them from ever turning into camp stereotypes.
A gorgeous near-memoir.Pub Date: Dec. 20, 2008
ISBN: 978-1-4363-6937-4
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
If the elusive Pynchon regularly cranked out novels, then this latest addition to his semi-classic oeuvre would be considered an excellent, if flawed, fiction, not as demanding and complex as Gravity's Rainbow, nor as neat and clever as The Crying of Lot 49 and V. As it is, coming 17 years since the last book, it's something of a disappointment.
Yes, it's compulsively funny, full of virtuoso riffs, and trenchant in its anarcho-libertarian social commentary. But there's a missing dimension in this tale of post-Sixties malaise—a sense of characters being more than an accumulation of goofy allusions and weird behavior. And all of its winding, conspiratorially digressive plot adds up to a final moment of apparently unintentional kitsch—a limp scene reuniting a girl and her dog. Built on flashbacks to the 60's, the story reenacts in 1984 the struggles that refuse to disappear. Not politics really, but the sense of solidarity and betrayal that marks both periods for the numerous characters that wander into this fictional vortex. At the center is Frenesi (Free and Easy) Gates, who's anything but. A red-diaper baby and radical film-maker during the rebellion-charged 60's, Frenesi sold her soul to a man in uniform, the quintessential Nixon-Reagan fascist, Brock Vond, a fed whose manic pursuit of lefties and dopers finds him abusing civil rights over three decades. He's motivated not just by innate evil, but by his obsession with Frenesi, whom he sets up as a sting-operation expert protected under the Witness Protection Program. Meanwhile, the venomous Vond sees to it that Frenesi's hippie husband, Zoyd Wheeler, and her daughter, Prairie, are "disappeared" to Vineland, the northern California town where L.A. counterculturalists lick their collective wounds among the redwoods, and bemoan "the heartless power of the scabland garrison state the green free America of their childhoods even then was turning into." Brilliant digressions on Californian left-wing history, the saga of The People's Republic of Rock and Roll, a Mob wedding, and the living dead known as the Thanatoids all come bathed in the clarity of Pynchon's eye-popping language.
Pynchon's latest should prove to the legions of contemporary scribbler-fakers that it isn't enough to reproduce pop-schlock on the page, it needs to be siphoned through the kind of imaginative genius on display everywhere here.
Pub Date: Feb. 1, 1990
ISBN: 0141180633
Page Count: 385
Publisher: Little, Brown
Review Posted Online: Oct. 4, 2011
Kirkus Reviews Issue: Jan. 15, 1990
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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