A vibrant tale of 1950s Chicago.
Joseph offers a sweeping saga highlighting how race and religion shape people’s lives in the second book of his Chicago Trilogy, following To Love Mercy (2006).
It’s 1952, and a project of so-called “Urban Renewal” is in full swing in Bronzeville, Chicago’s predominantly Black neighborhood. With Jim Crow laws still in effect, the government is using the power of eminent domain to destroy the community, forcing families out of their homes. However, the novel’s plot centers mainly on a lost family heirloom—a small silver piece with Hebrew markings. Steve Feinberg, a white Jewish boy from Hyde Park, and Jesse Owens Trimble—a Black youngster from Bronzeville known around the neighborhood as “Sass,” due to his “smart mouth,” as Steve puts it—live very different lives. They’re connected through Mattie, Sass’ mom who works at the ticket counter at the Calumet Theater, which is owned by Mister Nate, Steve’s grandfather. The two leave the theater to search for the “silver thing” after Mister Nate loses it and unjustly accuses Sass of stealing it and they end up traveling all over the city. Later reunited by chance in high school, Steve and Sass’ shared love of jazz has them joining an a cappella group together, eventually leading them into the orbit of alto sax player and notorious gangster Mister Lucky. Intriguingly, the work goes on to explore how Chicago’s 1950s jazz scene served as an extension of the local civil rights movement. Sass’ troublesome older brother, Isaiah, known as “Nubby,” works for Mister Lucky running numbers, bringing trouble into his loved ones’ lives. The richly developed characters, including Dora, an aging Sunday school teacher who works for the Feinbergs as a maid, and Ezell, a boy with a stutter who has a natural ability to defuse conflict, are among the book’s strengths. Throughout the story, Joseph frequently reminds readers how socioeconomic factors influence how people interact with the world. The cast is large and diverse, and their often charming, relatable interactions will draw readers deeply into the story.
A vibrant tale of 1950s Chicago.Pub Date: May 16, 2025
ISBN: 9798990440944
Page Count: 316
Publisher: Key Literary
Review Posted Online: May 7, 2025
Review Program: Kirkus Indie
BOOK REVIEW
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
Mostly charming, sometimes twee, with some really lovely things to say about poetry.
And now for some lessons in poetry and typesetting.
After Lessons in Chemistry (2022), a debut that became one of the most popular books of recent years, Garmus applies her unique comic sensibility to the story of Batter Gray, a man named after a family dog of mythic talents. A poetry maven who was reading Auden as a fourth grader, he was raised by a type-designer mother and historian father who dearly hoped he would choose some more viable profession than poetry. But via an amazing stroke of luck, he lands a job after college at Peck & Peck, an illustrious literary journal located in a beautiful building in New York City. He’s at the very bottom of the complex and dysfunctional totem pole, making copies in the basement, struggling not to run afoul of the cantankerous editor-in-chief, Salton Peck, or his smarmy assistant, Dexter York, both of whom have taken an instant dislike to our hero (and can never get his name right. Few people can). And to be honest, Batter is not without his flaws. The novel bogs down a bit in the middle, with Salton constantly excoriating his staff in ALL CAPS and much ado over the possibility that submissions have been taken outside the building, which is forbidden. Along the way, many, many famous poets are name-checked, as are many typefaces, since Batter has been raised to instantly identify a font in the wild. The best example of this occurs during his brief sojourn in jail: “The thing I kind of admired about Motherfucker II, besides his manners, was this huge tattoo he had on his neck that read I will fuck you up in ITC Bolt. Call me my mother’s son, but whoever inked it nailed the kerning.” The narrative picks up steam toward the end, as bad guys become good guys, mysteries are solved, and Batter throws one hell of a party.
Mostly charming, sometimes twee, with some really lovely things to say about poetry.Pub Date: Oct. 13, 2026
ISBN: 9781668251065
Page Count: 432
Publisher: Scribner
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
BOOK REVIEW
PERSPECTIVES
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