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CRAZY FOR GOD

HOW I HELPED FOUND THE RELIGIOUS RIGHT AND RUIN AMERICA

Candid, sometimes angry and clearly cathartic for the author.

Interesting glimpses into the burgeoning religious right folded into a deeply personal memoir.

After World War II, Schaeffer’s evangelical parents founded a mission in Switzerland called L’Abri, where he grew up. A large portion of the narrative is dedicated to those years and his conflicting memories of them. At times the author describes his father as a moody, even abusive man; at other points he speaks of him with great respect and love. He depicts his mother as a juggernaut who wore her piety on her sleeve and indoctrinated the children, yet his devotion to this “sexy saint” borders on oedipal. Likewise, he alternately paints his youth as an idyllic utopia and a period of boiling frustrations. At all times, however, Schaeffer is brutally honest. Pot-smoking, group masturbation, running away from boarding school, even the tricks he played on a mentally handicapped woman who lived at L’Abri—each unflattering incident is related in vivid detail. During the author’s young-adult years, his parents became quite well known, and he was solicited to work with his father on the 1974 evangelical documentary series How Then Should We Live? Schaeffer encountered many figures in the increasingly public and political evangelical movement; he offers particularly eye-opening accounts of his personal encounters with the likes of Pat Robertson, James Dobson et al. He became convinced that he did not fit into the evangelical mold and in fact had simply been living and speaking about matters in which he had been steeped since birth but basically never truly believed. His break from the movement and what followed in his life comprise the final chapters.

Candid, sometimes angry and clearly cathartic for the author.

Pub Date: Oct. 1, 2007

ISBN: 978-0-78671-891-7

Page Count: 416

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2007

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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