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DISPATCHES FROM THE PACIFIC CENTURY

Nineteen brief but resonant vignettes of life in the Pacific Basin as the area is transformed by its entry into the world of international trade and finance. Drawn from Viviano's experiences as a reporter for the Pacific News Service and San Francisco Chronicle, the larger story of economic development, societal change, and shifting values is captured here in the day-to-day lives of such individuals as a former Red Guard, a Taiwanese bok-choy farmer-turned-entrepreneur, and a Hmong tribesman transferred from the Laotian highlands to California's Silicon Valley. Temporarily assigned to the Far East in 1979, Viviano quickly becomes fascinated by Asia, and his sojourn eventually stretches to 12 years. During his stint, the sharp-eyed author travels to the tottering People's Republic of China during the Tiananmen Square demonstrations, to the Philippines of the newly installed Corazon Aquino, to the Las Vegas/Atlantic City glitz of China's ``fleshpot'' resort of Xiamen. In every venue, Viviano manages to interview individuals whose lives are being transformed by the events around them, and he's continually on the alert for ironies and irrationalities—as highlighted, for instance, in his discussion of Singapore: ``It was amusing, in these years of Washington's Evil Empire rhetoric, to hear Ronald Reagan cite Singapore as a sterling example of the achievements of free enterprise, when it was actually one of the most thoroughly socialistic nations on earth.'' Viviano also points out that, although the Gulf War prevented him from doing so, James Baker was scheduled to take part in an expedition in Mongolia to hunt the seriously endangered ibox. Marred slightly by the author's reticence about his own life; otherwise, a satisfying work that's less scholarly but perhaps even more effective than Stan Sesser's The Lands of Charm and Cruelty (p. 359).

Pub Date: May 1, 1993

ISBN: 0-201-63290-X

Page Count: 272

Publisher: Addison-Wesley

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1993

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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