Nineteen brief but resonant vignettes of life in the Pacific Basin as the area is transformed by its entry into the world of international trade and finance. Drawn from Viviano's experiences as a reporter for the Pacific News Service and San Francisco Chronicle, the larger story of economic development, societal change, and shifting values is captured here in the day-to-day lives of such individuals as a former Red Guard, a Taiwanese bok-choy farmer-turned-entrepreneur, and a Hmong tribesman transferred from the Laotian highlands to California's Silicon Valley. Temporarily assigned to the Far East in 1979, Viviano quickly becomes fascinated by Asia, and his sojourn eventually stretches to 12 years. During his stint, the sharp-eyed author travels to the tottering People's Republic of China during the Tiananmen Square demonstrations, to the Philippines of the newly installed Corazon Aquino, to the Las Vegas/Atlantic City glitz of China's ``fleshpot'' resort of Xiamen. In every venue, Viviano manages to interview individuals whose lives are being transformed by the events around them, and he's continually on the alert for ironies and irrationalities—as highlighted, for instance, in his discussion of Singapore: ``It was amusing, in these years of Washington's Evil Empire rhetoric, to hear Ronald Reagan cite Singapore as a sterling example of the achievements of free enterprise, when it was actually one of the most thoroughly socialistic nations on earth.'' Viviano also points out that, although the Gulf War prevented him from doing so, James Baker was scheduled to take part in an expedition in Mongolia to hunt the seriously endangered ibox. Marred slightly by the author's reticence about his own life; otherwise, a satisfying work that's less scholarly but perhaps even more effective than Stan Sesser's The Lands of Charm and Cruelty (p. 359).

Pub Date: May 1, 1993

ISBN: 0-201-63290-X

Page Count: 272

Publisher: Addison-Wesley

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 1, 1993

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Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...



Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)

Pub Date: May 1, 1995

ISBN: 0-19-508629-4

Page Count: 224

Publisher: Oxford Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1995

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