A visceral account of personal illness and social ills.
A chronicle of a year of trauma.
In the fall of 2019, British Guyanese poet, novelist, and playwright D’Aguiar, a professor of English at UCLA, was diagnosed with prostate cancer, the first of three plagues that he recounts in a memoir notable for its uncommon candor. If cancer was the most immediate threat to his life, Covid-19 proved no less fearsome. To undergo tests in a hospital, he had to enter “spaces dominated by the pandemic.” The virus, he writes, assumed “the role of an aid to my cancer.” Equally assaulting was the “society-cancer” of anti-Black racism, as evidenced by the police killings of George Floyd and others. D’Aguiar reports in detail the trajectory of his illness from the time he first noticed bladder problems through the tests that confirmed the existence of cancer. He also writes about the four drugs—and their insidious side effects—that he took to control it and the eventual surgery to remove his prostate and the lymph nodes to which the disease had spread. Cancer affected both body and spirit: Because one of the drugs blocked the production of testosterone, for example, he began to experience hot flashes and to develop breasts, a disturbing side effect that challenged his “male gender outlook.” Trying to marshal “restorative powers” of mind, the author took to chanting, singing, and dancing to create an atmosphere conducive to cure, hoping to stop the disease from metastasizing “with a firewall of meds and positive vibes.” Writing poetry, he realized, had the power to rescue him “from catatonic shock and stasis” by opening up “a psychic space of awareness” of the world around him. Interwoven with his illness narrative, D’Aguiar shares some of his poems along with recollections of his childhood in Guyana, tales of the trickster god Anansi, and reflections on inequality in the health care system and the plight of Black men in America.
A visceral account of personal illness and social ills.Pub Date: Aug. 3, 2021
ISBN: 978-0-06-309-153-5
Page Count: 336
Publisher: Harper/HarperCollins
Review Posted Online: May 20, 2021
Kirkus Reviews Issue: June 15, 2021
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.
A coffee-table book celebrates Michelle Obama’s sense of fashion.
Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.Pub Date: Nov. 4, 2025
ISBN: 9780593800706
Page Count: 304
Publisher: Crown
Review Posted Online: Nov. 7, 2025
Kirkus Reviews Issue: Jan. 1, 2026
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