by Fred K. Prieberg ‧ RELEASE DATE: June 15, 1994
A significant addition to the ongoing discussion of the extent to which Germany's most important musical figure was co-opted by the Nazis. Wilhelm FurtwÑngler (1886-1954) was among the most important re-creative artists of the century, supreme interpreter of the high German classics and an almost mystical believer in their spiritual power. He was also, as Prieberg (Music in the National Socialist State, not reviewed) convincingly demonstrates, dangerously naãve in believing that he could keep those masterpieces undefiled—and himself uncompromised—by the politicization of the arts in Nazi Germany. In a similar manner to the way that the physicist Werner Heisenberg believed that he could preserve the purity of German science despite what he saw as the vulgarity of the Nazi regime, FurtwÑngler saw himself as the guardian of German high culture and civilization. This is not an easy book to read; the style is effortful (it's unclear whether that is the fault of the writing or of the translation), and the subject—the degradation of an artist- -is chilling and painful. Prieberg fully explicates FurtwÑngler's acts of resistance: his arguments in the 1930s against the banning of music written by non-Aryan composers; his protests against the firing of Jewish members of the Berlin Philharmonic and their replacement by inferior musicians. Prieberg's thesis is that, having decided to stay in Germany, FurtwÑngler was ``broken'' by the regime (``blackmailed'' into conducting Hitler's birthday festivities in 1942, he avoided the task in subsequent years by pleading illness). The real strength of Prieberg's work is its reliance on contemporary documents, many quoted at considerable length, that allow the reader to draw his or her own conclusions. These conclusions are likely to be less charitable, and less favorable, to the maestro, than Prieberg's. A powerful primer on the futility of temporizing with evil.
Pub Date: June 15, 1994
ISBN: 1-55553-196-2
Page Count: 394
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1994
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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